
Original: (it) Sei intelligente, dolce, elegante, affascinante, erotica, sensuale e trasgressiva. Sei tutto ciò che crea una seduzione ossessiva.
Source: prevale.net
Original: La realtà mostra che ci sono differenze anche nelle pose del corpo completamente nudo: alcune mostrano volgarità, trasgressione, oscenità... altre semplicità, fascino ed eleganza.
Source: prevale.net
Original: (it) Sei intelligente, dolce, elegante, affascinante, erotica, sensuale e trasgressiva. Sei tutto ciò che crea una seduzione ossessiva.
Source: prevale.net
“That shows an obscene! lack of foresight!”
Audio blogs, Worms World Party Remastered b******s
“Unforgettably horrible is the naked body. It really does not have the slightest charm.”
The Diary of Lady Murasaki
letter to his friend Bernardo de Iriarte, 7 Jan, 1794; as quoted by Jane Kromm, in The art of frenzy, 2002, p. 194 https://en.wikipedia.org/wiki/Yard_with_Lunatics
The painting 'Yard with Lunatics' (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by Goya between 1793 and 1794; Goya says here that the painting was informed by scenes of institutions he witnessed in his youth in Zaragoza
1790s
Introduction to the "Corners on the Curving Sky" section of the book Soulscript (1970) compiled by Jordan. These lines have been widely published in verse format as work misattributed to Gwendolyn Brooks, usually as a poem titled "Corners on the Curving Sky." One website http://web.archive.org/20090809112040/www.geocities.com/juscurious/anon.html indicated that Brooks had publicly repudiated the attribution of these lines to her, but the misattribution seems to have long remained largely unrecognized.
Context: Our earth is round, and, among other things, that means that you and I can hold completely different points of view and both be right. The difference of our positions will show stars in your window I cannot even imagine. Your sky may burn with light, while mine, at the same moment, spreads beautiful to darkness. Still we must choose how we separately corner the circling universe of our experience. Once chosen, our cornering will determine the message of any star and darkness we encounter. These poems speak to philosophy; they reveal the corners where we organize what we know.
The above statements have been widely published in the above format as lines of verse attributed to Brooks, usually as a poem titled "Corners on the Curving Sky" — but one website http://web.archive.org/20090809112040/www.geocities.com/juscurious/anon.html indicated that she declared she did not write them. The words actually occur as an introduction to the "Corners on the Curving Sky" section of the book Soulscript (1970) compiled by June Jordan, in which other poems of Brooks were included, and thus is apparently the work of Jordan. It appears simply in paragraph form and reads thus:
Misattributed, "Corners on the Curving Sky"
Context: Our earth is round, and, among other things
That means that you and I can hold completely different
Points of view and both be right.
The difference of our positions will show
Stars in your window I cannot even imagine.
Your sky may burn with light,
While mine, at the same moment,
Spreads beautiful to darkness.
As quoted in Shakespearean Criticism : Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations (1985) by Laurie Lanzen Harris, p. 11
“My job on this show is to be naked, not kill myself.”
[Tandem biking- Jackass Episodes]
“Elegant as simplicity, and warm
As ecstasy.”
Source: Table Talk (1782), Line 588.
Quotes from him, Csillag születik (talent show between 2011-2012)