“A serious difficulty in understanding how to educate and regulate the relations of sex arises from the fact that it is the relation of two equal but distinct halves of the human race, and exists in the dual form—male and female. Unless the distinctive characteristics and requirements of each of these equal halves are fully understood, the relation between them cannot be satisfactory.”
p. 8 https://books.google.com/books?id=7VlHAQAAMAAJ&printsec=frontcover#v=snippet&q=regulate&f=false
Essays in Medical Sociology (1899)
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Elizabeth Blackwell 9
England-born American physician, abolitionist, women's righ… 1821–1910Related quotes
respect, not contempt.
Source: SCUM MANIFESTO (1967), p. 10 ("respect, not contempt." (not bracketed in original) not certain in original due to truncation of bottom of photocopy page but consistent with it).
Source: An Introduction To Probability Theory And Its Applications (Third Edition), Chapter III, Fluctuations In Coin Tossing And Random Walks, p. 92.

"Sex Is Politics" (1979).
1980s, The Second American Revolution (1983)

Essays on Woman (1996), The Separate Vocations of Man and Woman According to Nature and Grace (1932)

The Holy Marriage Blessing is the Path to Unite the Virtues of Heaven and Earth and Harmonize and Unify the Universe as One http://www.unification.net/2005/20050820.html (2005-08-20)

"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).

"The Speedy Extinction of Evil and Misery", part VI, p. 85
Essays and Phantasies (1881)