“I love art, and I love history, but it is living art and living history that I love... It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigour of the earlier world?”

“I love history. I love art. I like to mix it all together, but in the end it somehow has to all make sense.”

“But they lived those extraordinary lives that can never be lived again. And in the living of them, they gave me a history that is more profound, more beautiful, more powerful, more passionate, and ultimately more useful, than the best damn history book I ever read.”

“The Holocaust was an obscene period in our nation's history. [on followup] No, not our nation's, but in World War II. I mean, we all lived in this century. I didn't live in this century, but in this century's history.”

“I am interested in art as a means of living a life; not as a means of making a living.”

“There are lives lived for love, and lives lived for art. We, happy band, have chosen the later persuasion.”

“The art of living has no history: it does not evolve: the pleasure which vanishes vanishes for good, there is no substitute for it. Other pleasures come, which replace nothing., nothing but mutations.”

“Then we understand that rebellion cannot exist without a strange form of love. Those who find no rest in God or in history are condemned to live for those who, like themselves, cannot live; in fact, for the humiliated.”

“History may clarify our understanding of the supreme work of art, but can never account for it completely; for the Time of art is not the same as the Time of history.”

“I was invited to come here to speak about my idea of art, which is to enlarge the effectivity of art beyond the idea of art as coming out of art history — an art idea which contains the well-known disciplines like sculpture, architecture, painting, music, dancing, poetry and so on. I would like to declare why I feel that it's now necessary to establish a new kind of art, able to show the problems of the whole society, of every living being — and how this new discipline — which I call social sculpture — can realize the future of humankind. It could be a guarantee for the evolution of the earth as a planet, establish conditions for other planetarians too, and you can control it with your own thinking.”