“There is definitely a fuck-you quality to the characters I choose.”

Source: "Alex Jones' Profanity Laced Rant, Loses $5M. Response to Being Banned from AdRoll, Google!" https://www.youtube.com/watch?v=bSEnb8d7igk, Studious Dunce, February 21 2017

MTV.com, 2002

Interview https://books.google.ca/books?id=umhoFsnYri8C with Martin Amis (1979), published in Visiting Mrs Nabokov : And Other Excursions (1993), this was modified to censor the word "fuck" when quoted in "Roman Polanski: 'Everyone else fancies little girls too'" by Michael Deacon http://blogs.telegraph.co.uk/news/michaeldeacon/100011795/roman-polanski-everyone-else-fancies-little-girls-too/

What The Hell Happened To Me!? (1996)

1990s, "Hit 'Em Up" (1996)

A Softer World

Responding to the social theories of Benjamin Kidd, in "Kidd's 'Social Evolution'" in The North American Review (July 1895), p. 109
1890s
Context: A perfectly stupid race can never rise to a very high plane; the negro, for instance, has been kept down as much by lack of intellectual development as by anything else; but the prime factor in the preservation of a race is its power to attain a high degree of social efficiency. Love of order, ability to fight well and breed well, capacity to subordinate the interests of the individual to the interests of the community, these and similar rather humdrum qualities go to make up the sum of social efficiency. The race that has them is sure to overturn the race whose members have brilliant intellects, but who are cold and selfish and timid, who do not breed well or fight well, and who are not capable of disinterested love of the community. In other words, character is far more important than intellect to the race as to the individual. We need intellect, and there is no reason why we should not have it together with character; but if we must choose between the two we choose character without a moment's hesitation.

"Interview with Patrick Warburton" by Josh Bell at AboutDOTcom (2 March 2009)]
Context: It is more inspirational, I’d say, with the Tick. Because once you grasp or realize who this guy is, the fact that you’re inventing a world and an atmosphere and a persona that, really, his past is a mystery. So everything that he looks at or perceives can be brand new, and he can get really, really excited and intrigued by something that’s just a commonality for everybody else, that’s humorous. He’s like a child; everything’s new. So you just bring that attitude to him, a childlike attitude of discovering things.
Yet you’ve got this great writing, where everything’s mixed metaphor, and he’s articulate, and he describes everything in a new way. It’s inspiring as an actor to be able to go to that place. Anything you do is not going to be wrong. All you’ve got to do is just be inventive with this character and have fun. That’s the definition of an ingenious character. To get to step into the shoes of the Tick, I just felt that was an honor. Once again, I will reiterate that Fox apparently didn’t have a clue.