“Suppose we human beings were hunted with traps by a race of giants loo feet high, very ingenious, and absolutely without conscience so far as their treatment of us was concerned. Suppose that, in spite of all our vigilance, we were continually falling into these traps, which were hidden all about us, and compelled in order to escape to eat off our own arms or legs. Suppose that even then one out of every five of us was so ill-starred as to be caught a second time, and ended up, after hours or days of unspeakable agony, by having his head smashed into a jelly by a big club. Suppose we were absolutely helpless in the matter, and that our victimisers had no higher purpose in inflicting these fiendish outrages than to get a scalp or a jawbone to dangle about their demoniacal necks. Suppose, finally, in order to complete the analogy, that these people imagined themselves to be highly civilised and enlightened. What sort of an opinion do you think we would have in the course of ages as to the real character of these people and of their fitness to be the models and superintendents of a planet?”

Source: The New Ethics (1907), The Cost of a Skin, pp. 70–71

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Suppose we human beings were hunted with traps by a race of giants loo feet high, very ingenious, and absolutely withou…" by J. Howard Moore?
J. Howard Moore photo
J. Howard Moore 183
1862–1916

Related quotes

Octavio Paz photo

“A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet … even though we know that there is nothing, or no one, awaiting us.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 1
Context: The best thing to do will be to choose the path to Galta, traverse it again (invent it as I traverse it), and without realizing it, almost imperceptibly, go to the end — without being concerned about what “going to the end” means or what I meant when I wrote that phrase. At the very beginning of the journey, already far off the main highway, as I walked along the path that leads to Galta, past the little grove of banyan trees and the pools of foul stagnant water, through the Gateway fallen into ruins and into the main courtyard bordered by dilapidated houses, I also had no idea where I was going, and was not concerned about it. I wasn’t asking myself questions: I was walking, merely walking, with no fixed itinerary in mind. I was simply setting forth to meet … what? I didn’t know at the time, and I still don’t know. Perhaps that is why I wrote “going to the end”: in order to find out, in order to discover what there is after the end. A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet … even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end — it too fades away to nothingness.

George Holmes Howison photo
Michael Pollan photo
Clive Staples Lewis photo
Nicholas of Cusa photo
Doris Lessing photo
Charles Bukowski photo
Theresa Sparks photo
Pierre Charles Alexandre Louis photo
Johann Wolfgang von Goethe photo

Related topics