“A lot of the challenge with TV, as opposed to making movies, is that you have to leave room for the characters in the story to tell themselves. Sometimes you don’t know where a character is going to go and what’s going to happen to them until you’ve seen the actor take that part and make it their own. Then, like novelists say, the book starts to write itself, and the characters start to tell their own story. And then, we know where they’re going, as opposed to mapping it out, step by step. We have broad, general strokes, but you’ve got to leave space for these characters to live and breathe.”

— Bruno Heller

Showrunner Bruno Heller Talks GOTHAM, Avoiding a "Villain of the Week" Format, How the Films Impacted Their Approach to the Show, and More https://collider.com/gotham-interview-bruno-heller/ (September 22, 2014)

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Bruno Heller 2

British screenwriter 1960

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Amulya Malladi (1974) Indian writer

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“I start with a tingle, a kind of feeling of the story I will write. Then come the characters, and they take over, they make the story.”

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“It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”

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“I’m telling you, the Devil is very smart. He’s not going to come out with the horns and the tail. He’s going to come in as the slickest car salesman you ever saw – and I’ve seen some pretty slick pastors on TV. Now that’s not to say they’re all like that. … But every time I hear something that goes a little left of center, I go, ‘What? What was that?’ You know, too much healing on TV, I don’t know about that. That’s showbiz I think.”

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“I live with them for a long time in my head. When I first start writing about a character, I don’t know them that well. It’s through the process of writing of putting them in scenes, and contemplating them—when I’ve spent more time with them—that they take on more flesh. When I start writing, I have a lot of characters that I’m not sure what their place in the novel will be…And some characters recede as I put more flesh on them. I think I don’t really need them; they’re not giving me anything. Or they’re there for a particular effect, and that’s it.”

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“What I fear most is that you will know where the laughs are going to come, or that you will know a character so well that you know when they're going to sing a song. In some shows, you just know that the audience is sitting there going "Oh no, she's going to sing."”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

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