Introduction, p. 1
Elements of Rhetoric (1828)
“Now a man need not be very conversant in the writings of Chymists to observe, in how Laxe, Indefinite, and almost Arbitrary Senses they employ the Terms of Salt, Sulphur and Mercury; of which I could never find that they were agreed upon any certain Definitions or setled Notions; not onely differing Authors, but not unfrequently one and the same, and perhaps in the same Book, employing them in very differing senses.”
Source: Of the Imperfection of The Chymist's Doctrine of Qualities (1675)
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Robert Boyle 21
English natural philosopher, chemist, physicist, and invent… 1627–1691Related quotes
The Triple Thinkers (1938) [Oxford University Press, 1948], Preface, p. ix
As quoted by Francis Preston Venable, A Short History of Chemistry (1894) p. 28. https://books.google.com/books?id=fN9YAAAAYAAJ&pg=PA28
Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 193
Context: Life is what we make it, and the world is what we make it. The eyes of the cheerful and of the melancholy man are fixed upon the same creation; but very different are the aspects which it bears to them. To the one, it is all beauty and gladness; the waves of ocean roll in light, and the mountains are covered with day. Life, to him, flashes, rejoicing, upon every flower and every tree that trembles in the breeze. There is more to him, everywhere, than the eye sees; a presence of profound joy, on hill and valley, and bright, dancing water. The other idly or mournfully gazes at the same scene, and everything wears a dull, dim, and sickly aspect. The murmuring of the brooks is a discord to him, the great roar of the sea has an angry and threatening emphasis, the solemn music of the pines sings the requiem of his departed happiness, the cheerful light shines garishly upon his eyes and offends him. The great train of the seasons passes before him like a funeral procession; and he sighs, and turns impatiently away. The eye makes that which it looks upon; the ear makes its own melodies and discords: the world without reflects the world within.
The Art of Persuasion
"The Letter and the Spirit", in the journal Music and Letters, vol. 1 (1920) p. 88.