So I started my Love Class. I taught it free of salary and tuition just so students could have a forum to consider the truly essential things. I really didn't "teach" the class. I facilitated it — helping the students to discover their own magic.
A Magazine of People and Possibilities interview (1998)
“I’m interested in coaching, modeling, and teaching various writing practices and less in discovering talent. I want students to develop their own unique writing practices rather than impose my aesthetic values from the top down…”
On his teaching process in “Gregory Pardlo: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/gregory-pardlo-how-i-write/ in The Writer (2019 Jul 17)
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Gregory Pardlo 3
American writer 1968Related quotes
On her poetry not existing in a vacuum in “You Are on Display: An Interview with Morgan Parker” https://www.theparisreview.org/blog/2016/07/22/you-are-on-display-an-interview-with-morgan-parker/ in The Paris Review (2016 Jul 22)
On Electro-magnetic forces (March 10, 1840), in Annals of Electricity, Vol. 4, p. 484.
On the specific English that he chose for his writings in “Daljit Nagra interview: Yoda-speak and Yorkshire voices” https://www.telegraph.co.uk/culture/books/10402180/Daljit-Nagra-interview-Yoda-speak-and-Yorkshire-voices.html in The Telegraph (2013 Oct 24)
Quiero desarrollar mi sentido de la estética sin dejarme influir demasiado. En un vestido busco que sea personal y que me transmita mi propia inspiración, que me haga parecer y sentir única.
From the interview of Begoña Clérigues, Cómo vestir a una actriz para la alfombra roja https://www.lasprovincias.es/revista-valencia/vestir-actriz-alfombra-20220208190641-nt.html, lasprovincias.es, 9 February 2022.
1950s - 1960s, Excerpt, What Abstract Art Means to Me (1951)
Conversation with George MacBeth on Third Programme (BBC) (1 February 1967), published in The New S.F. (1969), edited by Langdon Jones
Context: I think the new science fiction, which other people apart from myself are now beginning to write, is introverted, possibly pessimistic rather than optimistic, much less certain of its own territory. There's a tremendous confidence that radiates through all modern American science fiction of the period 1930 to 1960; the certainty that science and technology can solve all problems. This is not the dominant form of science fiction now. I think science fiction is becoming something much more speculative, much less convinced about the magic of science and the moral authority of science. There's far more caution on the part of the new writers than there was.
Andy on the experience he as gained over the years.http://www.dailymail.co.uk/pages/live/articles/sport/football.html?in_article_id=370173&in_page_id=1779&in_a_source=&ct=5
Interview in The Baton Rouge Advocate (1980), as quoted in "J.D. Salinger, author of 'Catcher in the Rye,' dies" in The Washington Post (28 January 2010) http://www.washingtonpost.com/wp-dyn/content/article/2010/01/28/AR2010012803177.html