
Comparing film and stage theatre in "The Divine Comedy" (1977)
On how audiences receive a film (such as the film 12 Years a Slave in which Woodard starred in) in “In Praise of the One-Scene Performance: An Interview with Alfre Woodard” https://www.popmatters.com/176250-in-praise-of-the-one-scene-performance-an-interview-with-alfre-wooda-2495711026.html in Pop Matters (2013 Nov 7)
Comparing film and stage theatre in "The Divine Comedy" (1977)
“Normal civilized people don’t abuse the way we see in films.”
On the depiction of verbal abuse in films, as quoted in " Pahlaj Nihalani: Normal people don’t abuse the way we see in films http://indianexpress.com/article/entertainment/bollywood/normal-people-dont-abuse-the-way-we-see-in-films-pahlaj-nihalani/" The Indian Express (29 January 2015)
“In films we see extremes, because it’s where you have turning points.”
As quoted in "Emotional Intelligence" by James Mottram, in The Sunday Herald (8 January 2006)
Context: I think the characters I play go through tunnels, like in Three Colours : Blue, for example, where she’s lost everything... In The English Patient, she loses her best friend; this patient is dying in front of her – there’s no hope, so she’s going to start from the bottom. In films we see extremes, because it’s where you have turning points. Before I thought there was a common denominator between my films — as if all my characters were sisters – but I’m not so sure now.
“We hear and apprehend only what we already half know.”
"Celephaïs" - Written early November 1920; first published in The Rainbow, No. 2 (May 1922)<!-- p. 10-12 -->
Fiction
Context: There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy.
“911. Life is halfe spent before we know what it is.”
Jacula Prudentum (1651)
The Complete Neurotic's Notebook (1981), Unclassified
From interview with Komal Nahta
Quote of John Cage, in: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, V.
1930s