“Should I say, that the river (in this place) from shore to shore, and perhaps near half a mile above and below me, appeared to be one solid bank of fish, of various kinds, pushing through this narrow pass of San Juan's into the little lake, on their return down the river, and that the alligators were in such incredible numbers, and so close from shore to shore, that it would have easy to have walked across on their heads, had the animals been harmless? What expressions can sufficiently declare the shocking scene that for some minutes continued, whilst this mighty army of fish were forcing the pass? During this attempt, thousands, I may say hundreds of thousands, of them were caught and swallowed by the devouring alligators. I have seen an alligator take up out of the water several great fish at a time, and just squeeze them betwixt his jaws, while the tails of the great trout flapped about his eyes and lips, ere he had swallowed them. The horrid noise of their closing jaws, their plunging amidst the broken banks of fish, and rising with their prey some feet upright above the water, the floods of water and blood rushing out of their mouths, and the clouds of vapor issuing from their wide nostrils, were truly frightful.”

Source: The Cave (2000), p. 60 (Vintage 2003)

1
Nets to Catch the Wind (1921), Wild Peaches
Context: When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.

Lyrics, Morning View (2001)

As quoted in Playboy (February 1985)
1980s

Call me an idiot (2012), pages 41, the whole piece

"Synchronicity II"
Synchronicity (1983)
Context: Daddy grips the wheel and stares alone into the distance
He knows that something somewhere has to break
He sees the family home now, looming in his headlights
The pain upstairs that makes his eyeballs ache
Many miles away there's a shadow on the door
Of a cottage on the shore
Of a dark Scottish lake

The Covenant (1980) First lines

Quoth the Raven, "Nevermore."
Stanza 8.
The Raven (1844)

Source: Clockwork Princess