
Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p. 64
translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Herman Kruyder:) Nu pas zie ik waartoe ik in staat ben en ik begrijp niet dat ik het doek in mijn kleine voorkamer [1928, in Blaricum] heb kunnen maken.
Kruyder, c. 1931; as quoted by Regnault in his Memories; as cited in Herman Kruyder 1881 – 1935: gedoemde scheppingen, ed. Mabel Hoogendonk; (ISBN 90-400-9905-7), Waanders, Zwolle 1997, p. 30
Kruyder's reaction after seeing his own painting 'Groot landschap uit Limburg' hanging in a large room of the house of his art-buyer P.A. Regnault
dated quotes
Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p. 64
Don't Know When But A Day is Gonna Come
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)
(c. 1890); as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, David W. Galenson, Harvard University Press, 30 Jun 2009, p. 84
1890's
Quote from John Constable's letter to Rev. John Fisher (23 October 1821), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 41
1820s
J.W. Hall (ed.), The Trial of William Joyce (Notable British Trials series, William Hodge & Co, 1946), p. 58
Statement given by Joyce under caution, 31 May 1945.
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75
Blue Like Jazz (2003, Nelson Books)