“Kaizen is like a hotbed that nurtures small and ongoing changes, while innovation is like magma that appears in abrupt eruptions from time to time.”

—  Masaaki Imai

Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Kaizen is like a hotbed that nurtures small and ongoing changes, while innovation is like magma that appears in abrupt …" by Masaaki Imai?
Masaaki Imai photo
Masaaki Imai 19
Japanese business theorist and consultant 1930

Related quotes

Jane Roberts photo

“The planet has seen many changes. It has appeared and disappeared many times. It flickers off and on -- but because of the intervals of your attention each on period seems to last for millions of years, of course, while at other levels the earth is like a firefly, flickering off and on.”

Jane Roberts (1929–1984) American Writer

Session 918, Page 368
Dreams, Evolution and Value Fulfillment, Volume Two (1986)

Vijay Govindarajan photo

“Organizations are not designed for innovation. Quite the contrary, they are designed for ongoing operations.”

Vijay Govindarajan (1949) American academic

Vijay Govindarajan, ‎Chris Trimble (2013), The Other Side of Innovation: Solving the Execution Challenge. p. 10

Jimmy Buffett photo

“Enduring echoes call out from his past.
Time ain't for saving, no time's not for that.
Chasing false echoes like a lost legionnaire,
He waltzes on memories while he fades like a flare.”

Jimmy Buffett (1946) American singer–songwriter and businessman

False Echoes
Song lyrics, Banana Wind (1996)

Haruki Murakami photo

“We each have a special something we can get only at a special time of our life. like a small flame. A careful, fortunate few cherish that flame, nurture it, hold it as a torch to light their way. But once that flame goes out, it’s gone forever.”

Haruki Murakami book Sputnik Sweetheart

Source: Sputnik Sweetheart

Georgia O'Keeffe photo

“Nobody sees a flower - really - it is so small it takes time - we haven't time - and to see takes time, like to have a friend takes time.”

Georgia O'Keeffe (1887–1986) American artist

O'Keeffe's contribution (1939) to the exhibition catalogue of the show An American place (1944)
1930 - 1950
Source: Georgia O'Keeffe
Context: A flower is relatively small. Everyone has many associations with a flower - the idea of flowers. You put out your hand to touch the flower — lean forward to smell it — maybe touch it with your lips almost without thinking — or give it to someone to please them. Still — in a way — nobody sees a flower — really — it is so small — we haven't time — and to see takes time, like to have a friend takes time... So I said to myself — I'll paint what I see — what the flower is to me but I'll paint it big and they will be surprised into taking time to look at it — I will make even busy New-Yorkers take time to see what I see of flowers... Well — I made you take time to look at what I saw and when you took time to really notice my flower, you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower — and I don't.

Orson Scott Card photo

“There are times when the world is rearranging itself, and at times like that, the right words can change the world.”

Orson Scott Card book Ender's Game

Source: Ender's Game

Joseph Alois Schumpeter photo

“The more the process of development becomes familiar and a mere matter of calculation to all concerned, and the weaker the obstacles become in the course of time, the less the “leadership” that will be needed to call forth innovations. Hence the less pronounced will become the swarm-like appearance of entrepreneurs and the milder the cyclical movement.”

Joseph Alois Schumpeter The Theory of Economic Development

The Theory of Economic Development (1934), Ch. 6 : The Business Cycle

Marcel Duchamp photo

“To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.”

Marcel Duchamp (1887–1968) French painter and sculptor

1951 - 1968, The Creative Act', 1957
Context: Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.

William S. Burroughs photo

“At all levels the drug trade operates without without schedule. Nobody delivers on time except by accident. The addict runs on junk time. His body is his clock, and junk runs through it like an hour-glass. Time has meaning for him only with reference to his need. Then he make his abrupt intrusion into the time of others, and, like all Outsiders, all Petitioners, he must wait, unless he happens to mesh with non-junk time.”

William S. Burroughs book Naked Lunch

Hauser and O'Brien
Naked Lunch (1959)

Karel Appel photo

“Pollock... I also feel
like an erupting volcano.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

ATV, 187; p. 167
Karel Appel, a gesture of colour' (1992/2009)

Related topics