Quote (1951), in 'What Abstract Art Means to Me' http://www.jstor.org/stable/4058250, George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis; as cited in the The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15
1950s - 1960s
“I think that at that time and practically ever since, the underlying sense of form in my work has been the system of the Universe, or part thereof. For that is a rather large model to work from.”
1950s - 1960s, Excerpt, What Abstract Art Means to Me (1951)
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Alexander Calder 41
American artist 1898–1976Related quotes
Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27
1970's
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p. 153
Joseph Kosuth at artforum.com http://artforum.com/words/id=28992, 09.20.11
American Photo (January/February 2000), p. 90
Context: Since the commercialization and banality of editorial magazine pages have made this work uninteresting, advertising has become an increasingly important part of my work. It is interesting to compare European and American mores in regard to my work. One will notice that most of my European images have a stronger sexual content that those destined for American publication. The term "political correctness" has always appalled me, reminding me of Orwell's "Thought Police" and fascist regimes.
Quote in 'Unpublished notes' 1951, HMF Archive; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 121
1940 - 1955
“My work has always been the product of my time.”
Something About a Soldier (1940)
In an episode http://conversationswithbillkristol.org/video/peter-thiel/ of "Conversations with Bill Kristol" (2014)
As quoted in "Kirstin Chen Ventures Out Of Singapore With Novel Set In 1950s Maoist China" in Forbes (27 April 2018) https://www.forbes.com/sites/priscaang/2018/04/27/kirstin-chen/?sh=235a75302016