“Art is an act of the soul, not of the intellect. When we are dealing with people's dreams — their visions, really — we are in the realm of the sacred. We are involved with forces and energies larger than our own. We invoke the Great Creator when we invoke our own creativity, and that creative force has the power to alter lives, fulfill destinies, and answer our dreams.”

entry for June 26 Living Life Fully in Meditations for Women Who Do Too Much, Anne Wilson Schaef, c. 1990

A Call To The Stars II: A Home In The Sky https://www.musixmatch.com/lyrics/D-S-Bradford/A-Call-to-the-Stars-Ii-A-Home-in-the-Sky, verse 1
A Call To The Stars II: A Home In The Sky (2016)

Presidential campaign (April 12, 2015 – 2016), Speech in Orlando, Florida (September 21, 2016)
Context: When we leave people out or write them off, we not only shortchange them and their dreams, we shortchange our country and our own futures. That’s one reason why I care so much about supporting working parents. It’s one reason why I’m such a strong supporter of comprehensive immigration reform.... It’s also one reason why we’ve got to break down barriers of systemic racism, including under-investment that has held communities of color back for generations. That’s part of building an inclusive economy, too. And it’s why I believe we need to do more to help young people, who are left behind in the wake of the Great Recession, find those strategies and opportunities that will get them moving ahead again. And we’ve got to help older Americans who’ve displaced by automation and outsourcing in our changing economy.

“A Treatise on Mannequins” http://www.schulzian.net/translation/shops/treatise1.htm
His father, Creativity

Source: Glory Season (1993), Chapter 24 (p. 442)

Preface to the 1913 edition
1890s, Quintessence Of Ibsenism (1891; 1913)
Context: I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self. In the case of a work which is a mere exhibition of skill in conventional art, there may be some excuse for the delusion that the longer the artist works on it the nearer he will bring it to perfection. Yet even the victims of this delusion must see that there is an age limit to the process, and that though a man of forty-five may improve the workmanship of a man of thirty-five, it does not follow that a man of fifty-five can do the same.
When we come to creative art, to the living word of a man delivering a message to his own time, it is clear that any attempt to alter this later on is simply fraud and forgery. As I read the old Quintessence of Ibsenism I may find things that I see now at a different angle, or correlate with so many things then unnoted by me that they take on a different aspect. But though this may be a reason for writing another book, it is not a reason for altering an existing one.

2000s, A Challenge to Overcome (November 2007)

"The United States of Europe", The Saturday Evening Post (15 February 1930)
Reproduced in The Collected Essays of Sir Winston Churchill, Vol II, Churchill and Politics, Centenary Edition (1976), Library of Imperial History, p. 184.
The 1930s
Context: We are bound to further every honest and practical step which the nations of Europe may make to reduce the barriers which divide them and to nourish their common interests and common welfare. We rejoice at every diminution of the internal tariffs and martial armaments of Europe. We see nothing but good and hope in a richer, freer, more contented European commonalty. But we have our own dream and our own task. We are with Europe, but not of it. We are linked, but not comprised. We are interested and associated, but not absorbed. And should European statesmen address us in the words which were used of old, 'Wouldest thou be spoken for to the king, or captain of the host?', we should reply, with the Shunammite woman: 'I dwell among mine own people.