
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's
and Rothko, and I – we've changed the nature of painting.. .I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,. ..all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to.. ..Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's
“To work — to work! It is such infinite delight to know that we still have the best things to do.”
Letter to Bertrand Russell (7 December 1916), from The Collected Letters of Katherine Mansfield, vol. I
Source: Attributed, Dictionary of Burning Words of Brilliant Writers (1895), P. 276.
“All the things you can talk about in anyone's work are the things that are least important.”
Source: Ascending Peculiarity: Edward Gorey on Edward Gorey
one week later Cezanne died
Quote in Cezanne's last letter to his son Paul, Aix, 15 October 1906; as quoted in Cézanne, Ambroise Vollard, Dover publications Inc. New York, 1984, p. 112
Quotes of Paul Cezanne, after 1900
J. Agee, trans. (1989), p. 61
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)
Keynote speech at Christian Management Association conference in Denver, Colorado (March 2006)