India's Kathak Dance, Past Present, Future
Badshah-Nama Badshah Nama cited by Sri Ram Sharma, p. 63. Sharma, Sri Ram, Religious Policy of the Mughal Emperors, Bombay, 1962.
Akhbarat. Jadunath Sarkar, History of Aurangzib, Volume III, Orient Longman, New Delhi, 1972 reprint, pp. 185–89., quoted from Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories, 1690s
1698. Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 241
Quotes from late medieval histories, 1690s
Source: From Freedom to Slavery (1996), Ch. 6 : The New King : Tyranny of the Corporate Core, p. 91
Comment posted at his official website http://www.robbykrieger.com.
Context: In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis. In the case of Tim Buckley or Dylan you have one man's ideas. Most groups today aren't groups. In a true group all the members create the arrangements among themselves.
Badaoni, Muntakhab-ut-Tawarikh, vol. II, p. 383; Smith, Akbar the Great Mogul, p. 108. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 3
Muntakhab-ut-Tawarikh
Source: Motivation and Personality (1954), p. 93.
Context: A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be. This need we may call self-actualization. This term, first coined by Kurt Goldstein, is being used in this paper in a much more specific and limited fashion. It refers to the desire for self-fulfillment, namely, to the tendency for him to become actualized in what he is potentially. This tendency might be phrased as the desire to become more and more what one is, to become everything that one is capable of becoming.
Javed Ansari:India: The World’s ‘Largest Democracy’, in Arabia: The Islamic Review, December 1981.
