Gulzar, in an interview http://www.upperstall.com/people/gulzar
“The real issue underlying these controversies appears to have been a challenge to his philosophy of music; nay, that of the Trinity. Balamuralikrishna has long held that Carnatic music today is an entity outside the strictly religious domain. He remarked once that those who believed that concert singing denigrated the essence of Carnatic music should confine their singing to puja rooms.”
Garimella Subramaniam in: "A musical colossus".
Help us to complete the source, original and additional information
M. Balamuralikrishna 17
Carnatic vocalist, instrumentalist and playback singer 1930–2016Related quotes
Source: The Romantic Generation (1995), Ch. 8 : Liszt: On Creation as Performance

This Is Country Music.
Song lyrics, This Is Country Music (2011)

letter to Mrs. Ezra S. Carr, from Yosemite Valley (September 1874); published in William Federic Badè, The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 11: On Widening Currents <!-- Terry Gifford, LLO, page 203 -->
(Presumably paraphrasing from the poem Woodnotes by Ralph Waldo Emerson: "Come learn with me the fatal song / Which knits the world in music strong / … / and the ripples in rhymes the oar forsake / The wood is wiser far than thou".)
(Turlock: Town where Muir changed from railroad to foot travel in this particular journey from Oakland, California, to Yosemite Valley.)
1870s

“All music is folk music. I ain't never heard a horse sing a song.”
Variant: All music is folk music. I ain't never heard a horse sing a song.

Source: The Naming

As quoted in Debussy (1989) by Paul Holmes, p. 36
Context: Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream — who will give me plain human beings in a setting belonging to no particular period or country. … Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.