“As we saw, there is a large class of personal names and name-elements common to the Late Books and hymns of the Rigveda (386 hymns in the Late Books of the Rigveda and 8 Late hymns in the earlier Books), and to the Avesta (the bulk of the names, right from the name of the first composer of the Avesta, and the names of his closest associates), the Mitanni (including every common name element known), and the Kassites (the only known name). These names and name-elements are fundamental to all four groups, but completely absent in the Early and Middle Books of the Rigveda (apart from the 8 Late hymns mentioned earlier). And all these names and name-elements are very common in post-Rigvedic texts.”

On using the name "Elvis" as a stage name in The First 10 Years Podcast Series http://www.elviscostello.com/media.aspx - Episode Two
Context: I had a lot of problems with my name … my first name Declan is really not very well known outside of Ireland, MacManus is a name they could never spell... if you think about the names of '76, '77 … I got off kind of lightly — with a name you could live with, you know, in time. … I kind of liked the dare of it. Of course we weren't to know that within a month of my first album actually being issued Elvis Presley would die, and it would actually be a talking point. … Let me put it this way — people don't forget you with that name. It's sort of receded as — and this may sound terribly disrespectful and heretical — but as Elvis Presley has receded as a musical force, people make much less of a case about it. Elvis is a sort of cultural figure but there is no direct line between the music of Elvis Presley and the music of today. There is none whatsoever, he's no influence whatsoever, that I can detect, on music made today. Other than people who consciously retro in styling themselves after his ideas. There is no direct impact in the way that you can hear the influence of The Beatles or Stevie Wonder or numerous other people.

Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 8, Centennial summer, p. 174

Silver Spoons (1982)

On her favorite literature as a child, quoted in The 100 Most Popular Young Adult Authors: Biographical Sketches and Bibliographies (1997), p. 110
1990–2002

Source: Stargirl

Confessions Of A Sceptic
The Nemesis of Faith (1849)
Context: Belief is the result of the proportion, whatever it he, in which the many elements which go to make the human being are combined. In some the grosser nature preponderates; they believe largely in their stomachs, in the comforts and conveniences of life, and being of such kind, so long as these are not threatened, they gravitate steadily towards the earth. Numerically this is the largest class of believers, with very various denominations indeed; bearing the names of every faith beneath the sky, and composing the conservative elements in them, and therefore commonly persons of much weight in established systems. But they are what I have called them: their hearts are where I said they were, and as such interests are commonly selfish, and self separates instead of unites, they are not generally powerful against any heavy trial. Others of keener susceptibility are yet volatile, with slight power of continuance, and fly from attraction to attraction in the current of novelty. Others of stronger temper gravitate more slowly, but combine more firmly, and only disunite again when the idea or soul of the body into which they form dies out, or they fall under the influence of some very attractive force indeed. It may be doubted, indeed, whether a body which is really organised by a living idea can lose a healthy member except by violence.

Source: Religion and Nothingness (1983), p. 101

L’Amore Dominatore from Literary Souvenir, 1826
The Vow of the Peacock (1835)