On her lifelong use of the name "Happy", in "The Happy Rhodes Interview" in Homeground #48 (Summer 1993) http://web.archive.org/web/20091023165015/http://geocities.com/SoHo/Studios/3450/homeground.html
Context: The first time my brothers saw me, when I was a day or two old and still in the hospital, my brother Mark could not pronounce the name "Kimberley," and I was an especially happy baby, so he decided it would be easier to call me "Happy." From that moment on, my family members never used the name Kimberley. I was forced, however, to use my given name while attending school. As soon as I turned sixteen, my name was legally changed to Happy Tyler Rhodes. As far as I'm concerned, it's the ony name I've ever had. When people ask me if it's my real name, I always say "yes."
“I started from selling ties from the back of the car and from there to become an influencer in the fashion world. I’m happy my brothers and I could accomplish the American dream and I specifically making my mark in the advertising world- enjoying every day at work.”
Interview on the TMN magazine http://topmeganews.com/exclusive-interview-with-the-co-founder-of-guess-paul-marciano/
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Paul Marciano 2
American fashion designer 1952Related quotes
From Self Magazine http://www.self.com/healthystars/2010/12/heidi-klums-happy-healthy-life-slideshow#slide=1, December 2010
“I enjoy growing older and wiser and learning from my mistakes every single day.”
Source: Seriously... I'm Kidding
On the lack of ubiquity regarding Puerto Rican writings in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)
Source: Arnaldo Tamayo Méndez (2021) cited in " Cuba’s Only Cosmonaut: Arnaldo Tamayo Méndez https://aldianews.com/articles/leaders/cubas-only-cosmonaut-arnaldo-tamayo-mendez/68439" on Al Día News, 7 December 2021.
"Loyalty Song"
Lyrics and poetry
'Exile on Main Street: Don DeLillo's Undisclosed Underworld' by David Remnick, The New Yorker, September 15, 1997
“Cease from sonneting, my brothers; let us fashion songs from life.”
"Auctorial Induction"
The Certain Hour (1916)
Context: We are talking over telephones, as Shakespeare could not talk;
We are riding out in motor-cars where Homer had to walk;
And pictures Dante labored on of mediaeval Hell
The nearest cinematograph paints quicker, and as well. But ye copy, copy always; — and ye marvel when ye find
This new beauty, that new meaning, — while a model stands behind,
Waiting, young and fair as ever, till some singer turn and trace
Something of the deathless wonder of life lived in any place.
Hey, my masters, turn from piddling to the turmoil and the strife!
Cease from sonneting, my brothers; let us fashion songs from life.