“By the way, would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss-waiter talks, and that when I split an infinitive, God damn it, I split it so it will remain split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of barroom vernacular, this is done with the eyes wide open and the mind relaxed and attentive. The method may not be perfect, but it is all I have.”

[199708271551.IAA10211@wall.org, 1997]
Usenet postings, 1997

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Dedication

Source: The Time Keeper

As quoted in "Mevlana Jalal al-Din Rumi" http://en.mfethullahgulen.com/content/view/1820/49/ by Fethullah Gülen in The Fountain #24 (July-September 2004)
Variant translation: I want a heart which is split, chamber by chamber, by the pain of separation from God, so that I might explain my longings and desires to it.

Source: Alanna: The First Adventure

Quotations from SophieBHawkins.com
Context: Before I was signed, I just wanted to get into the system, even though I didn't know what that meant. After I got signed I found that I was confused by all the mixed messages from the label about what I'd have to do to keep their support. I fought and fought to maintain my identity and grow as an artist at the same time, but when I realized that to get their support on Timbre I'd have to start working with schlocky writers and totally sell out, I decided to pack up my marimba and split.