Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 1, Chapter 17, “Bonfire Night” (p. 523).
“Did you not tell me once that patronage of the artist was the only valuable vocation to which a prince might aspire?”
Book 2 “Esbern Snare: The Northern Werewolf,” Chapter 1 “Consequences of Ill-Considered Dealings With the Supernatural” (p. 218)
The Elric Cycle, The Revenge of the Rose (1991)
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Michael Moorcock 224
English writer, editor, critic 1939Related quotes
Speech http://hansard.millbanksystems.com/commons/1936/dec/10/members-of-the-house-of-commons in the House of Commons on the Abdication of Edward VIII (10 December 1936).
1936
Context: I saw the King on Monday, 16th November, and I began by giving him my view of a possible marriage. I told him that I did not think that a particular marriage was one that would receive the approbation of the country. That marriage would have involved the lady becoming Queen. I did tell His Majesty once that I might be a remnant of the old Victorians, but that my worst enemy would not say of me that I did not know what the reaction of the English people would be to any particular course of action, and I told him that so far as they went I was certain that that would be impracticable.
What Is Reality?
Context: Ancient cultures did not worship idols. Their god-statues represented ideal states which, when meditated constantly upon, one might aspire to. Science proves there never was a mermaid, blue-skinned Krishna or a virgin birth in physical reality. Yet thought is real, and the domain of thought is the one place where gods inarguably exist, wielding tremendous power. If Aphrodite were a myth and Love only a concept, then would that negate the crimes and kindnesses and songs done in Love's name? If Christ were only ever fiction, a divine Idea, would this invalidate the social change inspired by that idea, make holy wars less terrible, or human betterment less real, less sacred?
Quote from an interview with Thiebault-Sisson, 1900; as cited in Monet and His Muse: Camille Monet in the Artist's Life, Mary Mathews Gedo; University of Chicago Press, Sept. 2010, p. 10
1900 - 1920
Interviewed in Paris Review, Summer 1955; reprinted in Malcolm Cowley (ed.) Writers at Work (New York: Viking Press, 1959) p. 146.
"Where Did You Go To?" (song)
Gilbert O'Sullivan, "Where Did You Go To?" https://www.youtube.com/watch?v=LhJOUQXBOCw (song on YouTube. As audio.)
Gilbert O'Sullivan, "Where Did You Go To?" https://www.youtube.com/watch?v=vj2FCeCwhcM (Official video, on YouTube)
Song lyrics
http://www.melaniephillips.com/articles/archives/001420.html