“I want to take poetry to walk other genres. I want poetry to walk through other genres. When I started writing, this was my main concern: get out of poetry. Let poetry walk the streets of New York. Make her cosmopolitan. See the world. Not in these estrofas, not in these stanzas, which are camisas de fuerza. I have to get out of poetry. I have to do what James Joyce did to the novel: he took the novel out of the novel…”

— Giannina Braschi

On how she hopes to change poetry by bringing it towards visual art in “A Graphic Revolution Talking Poetry & Politics with Giannina Braschi” https://www.academia.edu/36916781/A_Graphic_Revolution_Talking_Poetry_and_Politics_with_Giannina_Braschi in Chiricú Journal (2018)

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Giannina Braschi 37

Puerto Rican writer 1953

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“I’m a failed poet. Maybe every novelist wants to write poetry ﬁrst, ﬁnds he can’t, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.”

William Faulkner (1897–1962) American writer

Paris Review interview (1958)

“I wanted to find out why Shelley could write better-sounding poetry than I.”

Peter Ladefoged (1925–2006) British phonetician

Los Angeles Times (1970); on why he chose to pursue phonetics.

“Music and Poetry have ever been acknowledged Sisters, which walking hand in hand support each other; As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry. Both of them may excel apart, but sure they are most excellent when they are oined, because nothing is then wanting to either of their perfections.”

Henry Purcell

Henry Purcell, ‎Edward Taylor (1843) in "Introduction" to, King Arthur: an opera in 5 acts, written by John Dryden. p. 3; Introduction; Cited in: James Anthony Froude, ‎John Tulloch (1852), Fraser's Magazine, Vol. 45, p. 198

“But to poetry — You have to be willing to waste time. When you start a poem, stay with it and suffer through it and just think about nothing, not even the poem. Just be there. It's more of a prayerful state than writing the novels is. A lot of the novel is in doing good works, as it were, not praying.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Interview with Richard B. Sale (1969)
Context: But to poetry — You have to be willing to waste time. When you start a poem, stay with it and suffer through it and just think about nothing, not even the poem. Just be there. It's more of a prayerful state than writing the novels is. A lot of the novel is in doing good works, as it were, not praying. And the prayerful state is just being passive with it, mumbling, being around there, lying on the grass, going swimming, you see. Even getting drunk. Get drunk prayerfully, though.

“I was seized with a strong desire to write poetry, so strong, in fact, that in imagination I thought I heard a voice crying in my ears –"Write! Write"I wondered what could be the matter with me, and I began to walk backwards and forwards in a great fit of excitement, saying to myself– "I know nothing about poetry."”

William McGonagall (1825–1902) weaver, actor, poet

"The Autobiography of Sir William Topaz McGonagall".
Other works

“Poetry was a meeting of mind and heart, I felt at one with poetry itself. I like the concentrated language, the play with form, and the way you can muck around with words in a way that you can’t in a novel. Poetry allows you to be intense, because to some degree people expect it.”

Daljit Nagra (1966) British poet, teacher and broadcaster

On how he views poetry in “Daljit Nagra” https://www.aestheticamagazine.com/daljit-nagra/ in Aesthetica

“If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.”

Rachel Carson (1907–1964) American marine biologist and conservationist

Acceptance speech of the National Book Award for Nonfiction (1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91
Context: The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities. If they are not there, science cannot create them. If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.

“Poetry is I say essentially a vocabulary just as prose is essentially not. And what is the vocabulary of which poetry absolutely is. It is a vocabulary based on the noun as prose is essentially and determinately and vigorously not based on the noun. Poetry is concerned with using with abusing, with losing with wanting with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry. So that is poetry really loving the name of anything and that is not prose.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"Poetry and Grammar"
Lectures in America (1935)

“Poetry is to prose as dancing is to walking.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

“Prose is walking; poetry is flying”

Galway Kinnell (1927–2014) Poet

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