“Fascism begins with the rhetoric of dehumanization, humiliation, and reification, right? It starts with the language of brutality, which it normalizes. It legitimates hatred and racism and violence. It views certain groups through rhetoric as enemies of the American people. It operates off of the rhetoric of war, anti-intellectualism, and white supremacy. It operates off of the language of disposability. That language doesn’t just simply normalize increasingly the notions of white nationalism, white supremacy, racism, and xenophobia; it also enacts policies and it creates a culture of utter stupidity, a culture of ignorance. And, unfortunately, it functions so as to enable violence against groups labeled as dangerous, other, excess, and a threat to the whitewashed notion of citizenship.”

"The work is not the performance", Companion to Medieval & Renaissance Music. (1997). Oxford University Press. ISBN 0198165404.

On his first novel The Fishermen in “'Why Jay?': Chigozie Obioma on the haunting death that inspired his novel” https://www.theguardian.com/books/2019/jan/18/chigozie-obioma-why-do-my-stories-end-this-way-honestly-i-want-to-write-a-feelgood-story- in The Guardian (2019 Jan 18)

Speech at the Cambridge Union (March 1924), quoted in On England, and Other Addresses (1926), pp. 94-95.
1924

“The Phaedrus and the Nature of Rhetoric,” p. 23.
The Ethics of Rhetoric (1953)

Speech at the Cambridge Union (March 1924), quoted in On England, and Other Addresses (1926), pp. 95-96.
1924

Introduction, p. 17
Elements of Rhetoric (1828)

paraphrasing Frege's Begriffsschrift, a formula language, modeled upon that of arithmetic, for pure thought (1879) in Jean Van Heijenoort ed., in From Frege to Gödel: A Source Book in Mathematical Logic, 1879-1931 (1967)

Source: The Monkey Grammarian (1974), Ch. 4
Ch. 4 -->
Context: Fixity is always momentary. But how can it always be so? If it were, it would not be momentary — or would not be fixity. What did I mean by that phrase? I probably had in mind the opposition between motion and motionlessness, an opposition that the adverb always designates as continual and universal: it embraces all of time and applies to every circumstance. My phrase tends to dissolve this opposition and hence represents a sly violation of the principle of identity. I say “sly” because I chose the word momentary as an adjectival qualifier of fixity in order to tone down the violence of the contrast between movement and motionlessness. A little rhetorical trick intended to give an air of plausibility to my violation of the rules of logic. The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern. We ought to subject language to a diet of bread and water if we wish to keep it from being corrupted and from corrupting us. (The trouble is that a-diet-of-bread-and-water is a figurative expression, as is the-corruption-of-language-and-its-contagions.) It is necessary to unweave (another metaphor) even the simplest phrases in order to determine what it is that they contain (more figurative expressions) and what they are made of and how (what is language made of? and most important of all, is it already made, or is it something that is perpetually in the making?). Unweave the verbal fabric: reality will appear. (Two metaphors.) Can reality be the reverse of the fabric, the reverse of metaphor — that which is on the other side of language? (Language has no reverse, no opposite faces, no right or wrong side.) Perhaps reality too is a metaphor (of what and/or of whom?). Perhaps things are not things but words: metaphors, words for other things. With whom and of what do word-things speak? (This page is a sack of word-things.) It may be that, like things which speak to themselves in their language of things, language does not speak of things or of the world: it may speak only of itself and to itself.