
"The Tradition", in Poetry, ed. by Harriet Monroe, III, 3 (Dec. 1913), p. 137; reprinted in Literary Essays of Ezra Pound (1968), p. 91.
On how he explores the revue as a playwriting form in “GEORGE C. WOLFE” https://www.interviewmagazine.com/culture/george-c-wolfe in Interview Magazine (2016 May 9)
"The Tradition", in Poetry, ed. by Harriet Monroe, III, 3 (Dec. 1913), p. 137; reprinted in Literary Essays of Ezra Pound (1968), p. 91.
In Taeuber-Arp's article 'Remarks on the Instruction of Ornamental Design', in 'Bulletin de Tunion suisse des mattresses professionelles et menageres/ Korrespondenzblott' (Zurich), Jahrg. 14, no. 11 / 12 (Dec. 31 , 1922), p. 156
On how poetry writing eventually led to short stories and other works in “A Poet’s Novel: Jon Pineda talks LET’S NO ONE GET HURT” https://www.booklistreader.com/2018/03/22/books-and-authors/a-poets-novel-jon-pineda-talks-lets-no-one-get-hurt/ in Booklist Reader (2018 Mar 22)
As quoted in New York World Telegram & Sun (21 August 1960); also in Threads: My Life Behind the Seams in the High-Stakes World of Fashion (2004) by Joseph Abboud, p. 79
OSCON 2002
Context: The meaning of this pattern is absolutely clear to those who pay to produce it. The meaning is: No one can do to the Disney Corporation what Walt Disney did to the Brothers Grimm. That though we had a culture where people could take and build upon what went before, that's over. There is no such thing as the public domain in the minds of those who have produced these 11 extensions these last 40 years because now culture is owned.
Source: Straight with a Twist (2000), p. 27.
Zeno, 74.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 7: The Stoics