Source: On how she aimed to preserve the spoken word feel for her book The Poet X in “Debut Author Elizabeth Acevedo on 'The Poet X'” https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/76224-q-a-with-elizabeth-acevedo.html in Publishers Weekly (2018 Mar 6)
“If the action of The Bridge Party moves at what might at times seems to be a snail’s pace, it is because I want the audience to experience the characters as full human beings, not as abstractions or stereotypes…”
On choosing her pacing (as quoted in the book Strange Fruit: Plays on Lynching by American Women https://books.google.com/books?id=G1il9uQG3A8C&pg=PA319&lpg=PA319&dq; 1998)
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Sandra Seaton 1
Playwright and writerRelated quotes
“The snail's pace is the normal pace of any democracy.”
DIE ZEIT, 19. Oktober 2003, zeit.de http://www.zeit.de/politik/Interview_031030
On her initial struggles to become a novelist in “Ruth Ozeki: Neither here nor there” https://www.writermag.com/writing-inspiration/author-interviews/ruth-ozeki-neither/ in The Writer (2017 Feb 24)
"Journal Entries", p. 188
Memory and Dream (1994)
Context: I don't know why I care what people write about me after I'm dead, except that since I invest so much of my time telling the truth in my fiction, I'd hate to see someone play fast and loose with the pieces of my life. I don't care what they might think of me; but I don't want lies about my life used to invalidate the stories. My characters seem real because they are drawn from the realities of my life. I didn't have to research their pain; I just tapped into my own.
2018, Nelson Mandela Annual Lecture (2018)
Context: A politics of fear and resentment and retrenchment began to appear, and that kind of politics is now on the move. It’s on the move at a pace that would have seemed unimaginable just a few years ago. I am not being alarmist, I am simply stating the facts. Look around. Strongman politics are ascendant suddenly, whereby elections and some pretense of democracy are maintained – the form of it – but those in power seek to undermine every institution or norm that gives democracy meaning. In the West, you’ve got far-right parties that oftentimes are based not just on platforms of protectionism and closed borders, but also on barely hidden racial nationalism. Many developing countries now are looking at China’s model of authoritarian control combined with mercantilist capitalism as preferable to the messiness of democracy. Who needs free speech as long as the economy is going good? The free press is under attack. Censorship and state control of media is on the rise. Social media – once seen as a mechanism to promote knowledge and understanding and solidarity – has proved to be just as effective promoting hatred and paranoia and propaganda and conspiracy theories.
Source: "Turning Loss into Beauty: The Tragedies of Geling Yan" in The Wall Street Journal https://www.wsj.com/articles/SB930264290705115630 (25 June 1999)
Introducing "School Days" on The History of Rock and Roll, (1978), Hour 1: "The Birth of Rock & Roll"