“My plays are clean. Most plays have four, five vital moments in the play and the rest of the play is just getting to it. It’s just fill. I don’t know why, whether it’s just to create the sense that it’s real or that you have to spend two hours to experience the power (you have to see not just snapshots). But I find it very boring. I go to sleep when I see plays like that, and I go to sleep writing it…”
On avoiding the typical play structures in “María Irene Fornés by Allen Frame” https://bombmagazine.org/articles/maria-irene-fornes/ in BOMB Magazine (1984 Oct 1)
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María Irene Fornés 4
American writer 1930–2018Related quotes

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A Vindication of Natural Society (1756)
Context: You are, my Lord, but just entering into the world; I am going out of it. I have played long enough to be heartily tired of the drama. Whether I have acted my part in it well or ill, posterity will judge with more candour than I, or than the present age, with our present passions, can possibly pretend to. For my part, I quit it without a sigh, and submit to the sovereign order without murmuring. The nearer we approach to the goal of life, the better we begin to understand the true value of our existence, and the real weight of our opinions. We set out much in love with both; but we leave much behind us as we advance. We first throw away the tales along with the rattles of our nurses; those of the priest keep their hold a little longer; those of our governors the longest of all. But the passions which prop these opinions are withdrawn one after another; and the cool light of reason, at the setting of our life, shows us what a false splendour played upon these objects during our more sanguine seasons. Happy, my Lord, if, instructed by my experience, and even by my errors, you come early to make such an estimate of things, as may give freedom and ease to your life. I am happy that such an estimate promises me comfort at my death.

As quoted in "Clemente: Happy 33, With 3 Years to Go" https://www.newspapers.com/clip/83638719/the-pittsburgh-press/ by Les Biederman, in The Pittsburgh Press (August 17, 1967), p. 39
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As quoted in Dancing in the Dark (1974), p. 61