“The relationship between reader and writer in fiction is steeped in vulnerabilities. It really does require trust and faith because some books have the power to transform people. You feel like you can never go back, look at the world in the same way again. And that grand ambition is what I hope to do with my books because at the heart of my writing is a passion for telling stories of the oppressed, the marginalized, and the misunderstood.”

— Randa Abdel-Fattah

On being a writer in “Both Freedom and Constraint: An Interview with Randa Abdel-Fattah” https://www.wordswithoutborders.org/article/both-freedom-and-constraint-an-interview-with in Words Without Borders (May 2015)

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Randa Abdel-Fattah 12

contemporary Australian writer of novels for young adults 1979

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“I think of novelists that I really return to and admire, you can almost sense that the book is somehow ahead of them, just a little bit ahead of them, no? You could write from the front: you could pull the book; there are masters that do that, and you can admire the architecture of it. […] I suppose what I look for as a reader is a writer who's risky, who's putting themselves in a position that's vulnerable, where the text knows a little bit more, is a bit ahead of them. And so I aspire to write those books, and that's why I suppose I put myself in that position.”

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at 43:30.
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" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

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