“I am a solo flyer. I go by dramatist or playwright. My brand is original plays that take on aspects of our shared American history that have shaped our culture. I write serious plays, but I use as much humor as possible. I also use a lot of music (original and found), and I’m not afraid to examine my characters’ sexuality…”

— Oliver Mayer

On his writings in “Meet Oliver Mayer” http://voyagela.com/interview/meet-oliver-mayer-playwright-south-los-angelesusc/ in VoyageLA (2019 Jan 8)

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Oliver Mayer 1

Mexican American writer

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“I can only respond as an artist, because that’s what I am. I’m not going to become a politician all of a sudden. I am a politician in terms of the plays that I write, the way I embrace culture, the way I embrace characters that, in my particular case, have to do with the Latino world. And I embrace the Latino experience…”

Nilo Cruz (1960) American playwright

On whether he feels pressured to represent the Latino community after winning a Pulitzer in “Nilo Cruz by Emily Mann” https://bombmagazine.org/articles/nilo-cruz/ in BOMB Magazine (2004 Jan 1)

“I wonder if time-traveling cultures are playing with us. I wonder if they process our history for entertainment values.”

Algis Budrys book Michaelmas

Source: Michaelmas (1977), Chapter 6 (pp. 62-63)

“My solos are speech-influenced rhythmically; and harmonically, they're either pentatonic, or poly-scale oriented. And there's the mixolydian mode that I also use a lot…But I'm more interested in melodic things I think the biggest challenge when you go to play a solo is trying to invent a melody on the spot.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

As quoted in The Guitar Handbook (2002) by Ralph Denyer, p. 102

“My background in music came from me playing drums and piano as a young child. My grandmother was a pianist and I was influenced by her and my parents were playing rock records which influenced my drumming. I was a fan of film scores, rock, classical, jazz, and hip-hop in my early years and tried to learn as much about each of those genres as possible. I began writing music in a serious way in my teen years while I was playing in various bands and orchestras.”

Brian Tyler (1972) American composer, producer, conductor, and film producer

Interview with Brian Tyler https://8dio.com/2012/12/05/interview-with-brian-tyler/ (December 5, 2012)

“As time passes I become more and more afraid of my growing love of music. I don’t understand myself. I play solo sonatas by Bach: next to them, what is Böcklin? It makes me smile.”

Paul Klee (1879–1940) German Swiss painter

Quote (November 1897), # 52, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
reflecting on his youth and on the uncertainty about the future of choice to make
1895 - 1902

“I have been fortunate to play some fantastic roles in musicals and I find it difficult to say which is my favourite. It's generally whichever I am playing at the time. However playing Eva Peron in Evita will always be particularly special to me. Being chosen to originate the role in the premiere of a much sought after and what became a ground-breaking, award-winning musical which launched my career was a great challenge and it gave me the opportunity to play more great roles in the future.”

Elaine Paige (1948) English singer and actress

As quoted in "Angie Davidson Interviews Elaine Paige" by Angie Davidson in lupus.org.uk (2005)

“I usually do field work before I sit down to play with somebody; in other words I go listen to them play in a concert, listen to their music, tapes, whatever, so that when I sit down with them, I have a vague idea what their temperament is about and what kind of musical patterns they enjoy playing. Solo, I am the captain of the ship, and I decide what I will play and dictate the pace of the show.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

in The ring from Lata was like a blessing from Saraswati, 12 December 2013, Rediff.com http://www.rediff.com/chat/trans/0111zaki.htm,
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“I found, once I passed the age of forty, that I have a good sense of humor. It’s only through that I can keep stuﬀ oﬀ and go through my life. If you sit and try to take on everything that is going on out there, you’re going to end up with problems. That’s where I feel music. And music becomes the way in which I express feelings. And, because it allows me to have contact with my emotions, it’s a constant catharsis, not just playing and writing. By doing that, you alleviate something inside of you. And who knows where that comes from?”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

“I have gone through different phases in my music writing. There was a time when I used a little exercise — incorporating all of the twelve notes in the chromatic scale — to get me going. I used this technique for a while, but I don't any longer because I am going back to simpler melodies. Originally I moved away from the simple songs because I thought they were too simple.”

Paul Simon (1941) American musician, songwriter and producer

"Songwriting" in Making Music (1983) edited by George Martin, p. 70

“Back in my 20s, I was playing poker to avoid living. I wasn’t very satisfied with life. I used to play in a big game in Archway. And we’d play as much as we possibly could and for as much money as we had, and that went on for a couple of years.”

Patrick Marber (1964) English comedian, actor and screenwriter

Interview in Jewish Chronicle, 26 September 2007 http://thejc.com/home.aspx?AId55759&ATypeId1&searchtrue2&srchstrpatrick%20marber&srchtxt1&srchhead1&srchauthor1&srchsandp1&scsrch0

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