“Oh, they never lie. They dissemble, evade, prevaricate, confound, confuse, distract, obscure, subtly misrepresent and wilfully misunderstand with what often appears to be a positively gleeful relish and are generally perfectly capable of contriving to give one an utterly unambiguous impression of their future course of action while in fact intending to do exactly the opposite, but they never lie. Perish the thought.”
Source: Culture series, Look to Windward (2000), Chapter 1 “The Light of Ancient Mistakes” (p. 25)
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Iain Banks 139
Scottish writer 1954–2013Related quotes

Epigram 14; translation from Select Epigrams from the Greek Anthology (1906), edited by J. W. Mackail, p. 171
Epigrams

“To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.”
Intimations of Immortality Stanza 11.
Bartlett's Familiar Quotations, 10th ed. (1919)

“In art there are tears that do often lie too deep for thoughts.”
This is a play on "Thoughts that do often lie too deep for tears", the last line of William Wordsworth's "Ode: Intimations of Immortality from Recollections of Early Childhood" http://en.wikisource.org/wiki/Ode:_Intimations_of_Immortality_from_Recollections_of_Early_Childhood.
Source: Company Manners: A Cultural Inquiry into American Life (1954), p. 28.

Commencement address, Yale University, New Haven, Connecticut (11 June 1962) http://millercenter.org/scripps/archive/speeches/detail/3370
1962
Context: The great enemy of the truth is very often not the lie — deliberate, contrived and dishonest — but the myth — persistent, persuasive, and unrealistic. Too often we hold fast to the cliches of our forebears. We subject all facts to a prefabricated set of interpretations. We enjoy the comfort of opinion without the discomfort of thought.

“People lie. Auras never lie.”
The Eight Human Talents (2001)

Human Nature and Social Theory (1969)
Context: The most important misunderstanding seems to me to lie in a confusion between the human necessities which I consider part of human nature, and the human necessities as they appear as drives, needs, passions, etc., in any given historical period. This division is not very different from Marx’s concept of "human nature in general", to be distinguished from "human nature as modified in each historical period". The same distinction exists in Marx when he distinguishes between "constant" or "fixed" drives and "relative" drives. The constant drives "exist under all circumstances and … can be changed by social conditions only as far as form and direction are concerned". The relative drives "owe their origin only to a certain type of social organization".

Letter to her parents (1943), as quoted in the Introduction by Siân Miles
Source: Simone Weil : An Anthology (1986), p. 2

Source: Moby-Dick or, The Whale