“Frances and Sebastian accept each other right from the get go, and the world the characters live in is one that is willing to change. I think you buy it because it’s wrapped in this fairy tale theme and playing off these Disney Princess movie tropes. It would be a lot harder if I went for a strict historical theme.”

— Jen Wang

On how gender identity and other themes are addressed in The Prince and the Dressmaker in “INTERVIEW WITH JEN WANG, AUTHOR AND ARTIST OF THE PRINCE AND THE DRESSMAKER” https://bookriot.com/2018/02/06/prince-and-the-dressmaker/ in BookRiot (2018 Feb 6)

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American comics artist 1984

J. G. Ballard (1930–2009) British writer

Notes to The Atrocity Exhibition (1970; written 1967 - 1969, annotated 1990)
Context: All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or ancient Egypt, is reassimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonise past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality in attractive and instantly appealing forms.

“I love these tales because, in more reasonable attributions of motive, they so beautifully embody a fundamental theme of historical explanation - that consequences of substantial import often arise from triggers of entirely different intent. In other words, current utility bears no necessary relationship with historical origin.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 302
Leonardo's Mountain of Clams and the Diet of Worms (1998)

“The harder I work, the luckier I get'. It was Thomas Jefferson who started the stream of variations on that theme. He should have added, 'The harder I work on one thing, the unluckier I get on all the other commitments I haven’t had time for'.”

David Fleming (1940–2010) British activist

Lean Logic, (2016), p. 472, entry on Time Fallacies http://www.flemingpolicycentre.org.uk/lean-logic-surviving-the-future/

“Yes, I'm actually a fan of all things Disney, I utilize that in my craft, because I think Disney movies are crafted so well that they can be studied as well as film can be studied. What people do is they hear it in my voice, they can hear him in my voice, because he is me, he's not like a made-up character, he is me they can hear it in my voice, and when they hear that they ask "Are you the guy who played Sebastian the crab, because you look like him."”

Samuel E. Wright (1946) American actor

“I just like the themes it's exploring. In the way my character says, "I want us to become brothers again, like we used to be." I really like that line, and it means a lot to me. I just find there's a lot of things like that in this movie that have that feeling. There's stuff that feels exhilarating.”

Owen Wilson (1968) American actor and screenwriter

On working on The Darjeeling Limited (2007), in a Artist on Artist interview on MySpace (26 October 2007).

“Life isn’t a fairy tale; the knight who kills the dragon doesn’t necessarily get the princess. So what? Who’d want to live in a cosmos less rich and various than the real one?”

Poul Anderson book The Star Fox

Section 3 “Admiralty”, Chapter X (p. 207)
The Star Fox (1965)

“I am not one to compose long melodies as did Mozart. I can’t get beyond short themes. But what I can do, is utilize such a theme, paraphrase it and extract everything that is in it, and I don’t think there’s anybody today who can match me in that.”

Richard Strauss (1864–1949) German composer and orchestra director

Quotes from Stefan Zweigs's posthumous memoire, The World of Yesterday. Zweig worked with Strauss closely on the opera The Silent Woman in the period 1931-1934 and got to know him well.
Other sources

“"Film star," "movie star" — whatever they want to try to call you is limiting, in the sense that I think an actor has to be able to play characters. To separate these things — you know: "leading man," "action hero," "character actor," stuff like that — I guess if I want to be close to anything, it would be a character actor, which is what I think an actor should be. So any of that "movie star" stuff, I just don't buy it. It just doesn't make sense to me.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in "'Johnny Depp - From Hell' special," http://www.johnnydeppfan.com/interviews/From%20Hell%20Special.htm ITV (January 2002)

“The whole world had changed. Only the fairy tales remained the same. "And they lived happily ever after”

Lois Lowry book Number the Stars

Source: Number the Stars

“People understand instinctively that the best way for computer programs to communicate with each other is for each of the them to be strict in what they emit, and liberal in what they accept. The odd thing is that people themselves are not willing to be strict in how they speak, and liberal in how they listen. You'd think that would also be obvious. Instead, we're taught to express ourselves.”

Larry Wall (1954) American computer programmer and author, creator of Perl

Public Talks, "2nd State of the Onion"

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