“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

Source: One Minute Nonsense (1992), p. 96
("Leela" is more commonly spelled "Lila")

Source: Fall of Night

The Principle of Reason (1955–1956) as translated by Reginald Lilly (1991) <!-- Bloomington: Indiana UP -->
Context: The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.

19 April 1997
Quotations from the Public Comments of Arsene Wenger: Manager, Arsenal Football Club (2005)

No Reservations - Iceland.

Source: Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

1860s, The Good Fight (1865)

(Published 20 October 2013 on the Arsenal Website http://www.arsenal.com/news/news-archive/ramsey-it-was-breathtaking-at-times) Ramsey (EPL Player of the Month in September 2013) praising teammate Jack Wilshere's sublime 18th minute opener in a breathtaking 4-1 win over Norwich City at the Emirates Stadium. Newcomer Mesut Özil scored a brace while a wonderful individual effort from Rambo himself, coming on as a 38th minute substitute for the concussed Mathieu Flamini, saw the Gunners return to the top of the Premier League in October 2013