“Some have spoken of a liberal Spinoza, and others, of a democratic Spinoza. By the same standard one could also speak of an artistocratic Spinoza or a monarchical Spinoza — and it has been done. Perhaps also an anarchic Spinoza? No one has ever said that.”

Selected works, The Savage Anomaly: The Power of Spinoza's Metaphysics and Politics (1991)

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Baruch Spinoza210

Dutch philosopher 1632–1677

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“Spinoza (1634-77) is the noblest and most lovable of the great philosophers. Intellectually, some others have surpassed him, but ethically he is supreme.”

Baruch Spinoza (1632–1677) Dutch philosopher

Bertrand Russell, in The History of Western Philosophy (1945) Ch. X.
M - R

“The (respective) position of Judaism toward Spinoza coincides with the (respective) position of Europe toward him. However, it does not completely coincide with it. Spinoza played a special role in the Judaism of the past century. When what mattered was the justification of the breakup of the Jewish tradition and the entry of the Jews into modern Europe, perhaps no better, but certainly no more convenient, reference offered itself than the appeal to Spinoza. Who was more suitable for undertaking the justification of modern Judaism before the tribunal of the Jewish tradition, on the one hand, and before the tribunal of modern Europe, on the other, than Spinoza, who, as was almost universally recognized, was a classical exponent of this Europe and who, as one did not grow weary of at least asserting, had thought his thoughts in the spirit of Judaism and by means of Judaism? It is clear that, at a time when modern Europe has been shaken to its foundations, one can no longer justify oneself before this Europe for the sake of Judaism, nor before Judaism for the sake of this Europe, supposing one still wants to do so.”

Baruch Spinoza (1632–1677) Dutch philosopher

Leo Strauss, Das Testament Spinozas (1932) [original in German]
S - Z

“From this point we glance back to the alleged atheism of Spinoza. The charge will be seen to be unfounded if we remember that his system, instead of denying God, rather recognises that he alone really is. Nor can it be maintained that the God of Spinoza, although he is described as alone true, is not the true God, and therefore as good as no God. If that were a just charge, it would only prove that all other systems, where speculation has not gone beyond a subordinate stage of the idea — that the Jews and Mohammedans who know God only as the Lord — and that even the many Christians for whom God is merely the most high, unknowable, and transcendent being, are as much atheists as Spinoza. The so-called atheism of Spinoza is merely an exaggeration of the fact that he defrauds the principle of difference or finitude of its due. Hence his system, as it holds that there is properly speaking no world, at any rate that the world has no positive being, should rather be styled Acosmism. These considerations will also show what is to be said of the charge of Pantheism. If Pantheism means, as it often does, the doctrine which takes finite things in their finitude and in the complex of them to be God, we must acquit the system of Spinoza of the crime of Pantheism. For in that system, finite things and the world as a whole are denied all truth. On the other hand, the philosophy which is Acosmism is for that reason certainly pantheistic.”

Baruch Spinoza (1632–1677) Dutch philosopher

Georg Wilhelm Friedrich Hegel, Encyclopedia of Philosophical Sciences: The Logic
G - L, Georg Wilhelm Friedrich Hegel

“The rediscovery of Spinoza by the Germans contributed to the shaping of the cultural destinies of the German people for almost two hundred years. Just as at the time of the Reformation no other spiritual force was as potent in German life as the Bible, so during the eighteenth and nineteenth centuries no other intellectual force so dominated German life as Spinozism. Spinoza became the magnet to German steel. Except for Immanuel Kant and Herbart, Spinoza attracted every great intellectual figure in Germany during the last two centuries, from the greatest, Goethe, to the purest, Lessing.”

Baruch Spinoza (1632–1677) Dutch philosopher

S. M. Melamed, Spinoza and Buddha: Visions of a Dead God (Chicago: University of Chicago Press, 1933)
M - R

“In 1663 Spinoza published the only work to which he ever set his name… He had prepared a summary of the second part of Descartes' 'Principles of Philosophy' for the use of a pupil… Certain of Spinoza's friends became curious about this manual and desired him to treat the first part of Descartes' work also in the same manner. This was done within a fortnight and Spinoza was then urged to publish the book, which he readily agreed to do upon condition that one of his friends would revise the language and write a preface explaining that the author did not agree with all the Cartesian doctrine… The contents… [included] an appendix of 'Metaphysical Reflections,' professedly written from a Cartesian point of view, but often giving significant hints of the author's real divergence from Descartes….'On this opportunity,' he writes to Oldenburg, 'we may find some persons holding the highest places in my country… who will be anxious to see those other writings which I acknowledge for my own, and will therefore take such order that I can give them to the world without danger of any inconvenience. If it so happens, I doubt not that I shall soon publish something; if not, I will rather hold my peace than thrust my opinions upon men against the will of my country and make enemies of them.'… The book on Descartes excited considerable attention and interest, but the untoward course of public events in succeeding years was unfavourable to a liberal policy, and deprived Spinoza of the support for which he had looked….
If Spinoza had ever been a disciple of Descartes, he had completely ceased to be so… He did not suppose the geometrical form of statement and argument to be an infallible method of arriving at philosophical truth; for in this work he made use of it to set forth opinions with which he himself did not agree, and proofs with which he was not satisfied. We do not know to what extent Spinoza's manual was accepted or taken into use by Cartesians, but its accuracy as an exposition of Descartes is beyond question. One of the many perverse criticisms made on Spinoza by modern writers is that he did not understand the fundamental proposition cogito ergo sum. In fact he gives precisely the same explanation of it that is given by Descartes himself in the Meditations.”

Baruch Spinoza (1632–1677) Dutch philosopher

p, 125
Spinoza: His Life and Philosophy (1880)

“A writer must always try to have a philosophy and he should also have a psychology and a philology and many other things. Without a philosophy and a psychology and all these various other things he is not really worthy of being called a writer. I agree with Kant and Schopenhauer and Plato and Spinoza and that is quite enough to be called a philosophy. But then of course a philosophy is not the same thing as a style.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Quoted by Frederic Prokosch in Voices: A Memoir (1983)

“Machiavel's The Prince is to ethics what the work of Spinoza is to faith. Spinoza sapped the fundamentals of faith, and drained the spirit of religion; Machiavel corrupted policy, and undertook to destroy the precepts of healthy morals: the errors of the first were only errors of speculation, but those of the other had a practical thrust. […] I always have regarded The Prince as one of the most dangerous works which were spread in the world; it is a book which falls naturally into the hands of princes, and of those who have a taste for policy. […] There is a real injustice in concluding that the rotten apples are representative of all of them.”

Frederick II of Prussia book Anti-Machiavel

Foreword
Anti-Machiavel

“Indeed, I scarcely comprehend how one can be a poet without revering and loving Spinoza and becoming completely his. Your own fantasy is rich enough for the invention of the particular: nothing is better suited to entice your fantasy, to stimulate and nourish it, than the poetic creations of other artists. But in Spinoza you find the beginning and the end of all fantasy, the universal ground on which your particularity rests — and you should welcome precisely this separation of that which is originary and eternal in fantasy from everything particular and specific.”

Baruch Spinoza (1632–1677) Dutch philosopher

Original in German: In der Tat, ich begreife kaum, wie man ein Dichter sein kann, ohne den Spinosa zu verehren, zu lieben und ganz der seinige zu werden. In Erfindung des Einzelnen ist Eure eigne Fantasie reich genug; sie anzuregen, zur Tätigkeit zu reizen und ihr Nahrung zu geben, nichts geschickter als die Dichtungen andrer Künstler. Im Spinosa aber findet Ihr den Anfang und das Ende aller Fantasie, den allgemeinen Grund und Boden, auf dem Euer Einzelnes ruht und eben diese Absonderung des Ursprünglichen, Ewigen der Fantasie von allem Einzelnen und Besondern muß Euch sehr willkommen sein.
Friedrich Schlegel, Rede über die Mythologie, in Friedrich Schlegels Gespräch über die Poesie (1800)
S - Z

“In our time scholars generally study the Bible in the manner in which they study any other book. As is generally admitted, Spinoza more than any other man laid the foundation for this kind of Biblical study.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

Introduction
Spinoza's Critique of Religion (1965)

“When I speak of Plato, Pascal, Spinoza and Goethe, I know that their blood flows in mine—I am proud, when I tell the truth about them—the family is good enough not to have to poeticize or to conceal; and thus I stand to everything that has been, I am proud of the humanity, and especially proud of unconditional truthfulness.”

Baruch Spinoza (1632–1677) Dutch philosopher

Friedrich Nietzsche, quoted in Walter Kaufmann, Nietzsche: Philosopher, Psychologist, Antichrist (1950)
M - R

“Some have spoken of a liberal Spinoza, and others, of a democratic Spinoza. By the same standard one could also speak of an artistocratic Spinoza or a monarchical Spinoza — and it has been done. Perhaps also an anarchic Spinoza? No one has ever said that.”

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