Introduction
One Minute Nonsense (1992)
Context: The Master in these tales is not a single person. He is a Hindu Guru, a Zen Roshi, a Taoist Sage, a Jewish Rabbi, a Christian Monk, a Sufi Mystic. He is Lao-tzu and Socrates; Buddha and Jesus; Zarathustra and Mohammed. His teaching is found in the seventh century B. C. and the twentieth century A. D. His wisdom belongs to East and West alike. Do his historical antecedents really matter? History, after all, is the record of appearances, not Reality; of doctrines, not of Silence.
“It is especially important for Westerners to understand that high lamas, Zen masters, and Hindu gurus in the discipline of yoga are human beings, not supermen. We must not put them, as we have put Jesus Christ, on pedestals of reverence so high that we automatically exclude ourselves from their states of consciousness.”
Foreward to The Secret Oral Teachings in the Tibetan Buddhist Sects (1964)], by Alexandra David Neel
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Alan Watts 107
British philosopher, writer and speaker 1915–1973Related quotes
“Discipline is important, we need to be more focused on what we put into our bodies.”
From the documentary Holistic Wellness for the Hip-Hop Generation (2003); quoted in "Common, Sticman, Badu Featured In New Health Documentary" https://allhiphop.com/2003/08/13/common-sticman-badu-featured-in-new-health-documentary/, AllHipHop (13 August 2003).
As quoted in Dabiq, issue #12; published November 18, 2015, pp. 2-3
2014, 2015
"Introduction" of Four Screenplays (1960). <!-- Simon & Schuster -->
Context: When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. Ever since childhood, music has been my great source of recreation and stimulation, and I often experience a film or play musically.
1960s, I Have A Dream (1963)
Context: Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plane of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with soul force.
Context: The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges. But there is something that I must say to my people who stand on the warm threshold which leads into the palace of justice. In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plane of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with soul force.
Sonny Bill shares his tale for Pasifika youth http://www.nzherald.co.nz/sport/news/article.cfm?c_id=4&objectid=11627340, by Vaimoana Tapaleao, New Zealand Herald, dated 23 April 2016.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 543.
Quoted on Contemporary art, http://coolturamagazine.com/xabier-lezama-mitologia-vasca/, February 15, 2020.