“I think that the book has survived as a set text because teachers like using it. It has a lot of possibilities from a teaching point of view. Most kinds of children seem to identify with the story. Northanger Abbey it is not! It should really be out of date now after all these years. But sadly, it’s not. There are still a lot of kids like Billy around. Ken Loach’s film Kes is a sympathetic retelling of the book. It adds value to it. Ken is a wonderful director for any writer to work with. I was very lucky that Tony Garnett the producer and Ken discovered my little book.”

On A Kestrel for a Knave
Barry Hines Interview: Homecoming Hero

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Barry Hines8

British author 1939–2016

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“Where is the book in which the teacher can read about what teaching is? The children themselves are this book. We should not learn to teach out of any book other than the one lying open before us and consisting of the children themselves.”

Rudolf Steiner (1861–1925) Austrian esotericist

Source: Rhythms of Learning

“I wrote 87 Goosebumps books. That's a lot of books for a human, isn't it? None of us expected what happened with Goosebumps. We started it in 1992, and by 1994, I was turning out a Goosebumps a month, and it was doing okay for a while. And then it just took off like nothing we'd ever seen. It took off all over the world – not through advertising, hype, or promotions – but just kids telling kids. There's some kind of secret kids network out there. Just kids telling kids about it, and this thing grew everywhere. It was in 28 languages. At one point, after a couple years, we were selling 4 million Goosebumps books a month.”

R.L. Stine (1943) American writer and producer

Reading Rockets interview http://www.readingrockets.org/books/interviews/stine/transcript

“Fiction film is really different from documentary in this aspect. It is less objective, because the director expresses a subjective point of view with the movie. I would like the movie to look like a documentary, look real.”

Zhang Yimou (1950) Chinese actor, film director, screenwriter and film producer

"No one to be Missed" in Off Screen https://offscreen.com/view/zhang_yimou (April 1999)

“The border still doesn't make much sense in my mind. It's a place that has so many things going on, a lot of sad stories, a lot of positive ones, a lot of people who are looking to break the rules and I identify a lot with that. I like to break the rules.”

Lila Downs (1968) Mexican American singer-songwriter

On how the border between the U.S. and Mexico influenced her work in “Mex factor” https://www.theguardian.com/music/2003/feb/10/artsfeatures.popandrock in The Guardian (2003 Feb 10) <br class="br">Heritage and indigenous peoples

“It might be my favorite book of mine. It was a very exciting time in my life. I was writing that book while I was at college. Sort of like the best of times, the worst of times. There was a lot of elation, there was a lot of despair. It was just a really fun book to write. I loved mimicking all the different voices. The stream of conscious does get a little out of hand. I kind of like that about the book. It's kind of all over the place. It's casual. It's scruffy. That's the one book of mine that I have a very, very soft spot for.”

Bret Easton Ellis (1964) American novelist

On The Rules of Attraction <br class="br"> http://www.amazon.com/gp/feature.html?docId=571852

“While a book has got to be worthwhile from the point of view of the reader it's got to be worthwhile from the point of view of the writer as well.”

Terry Pratchett (1948–2015) English author

alt.fan.pratchett (1 December 1998) http://www.lspace.org/fandom/afp/timelines/discussions/is-pterry-going-downhill.html <br class="br">Usenet

“It’s kind of an old-fashioned book…It’s long; it has a lot of characters; it takes a big theme. It isn’t a navel-staring, dysfunctional-family thing that’s so beloved of most American writers. It’s different, but I think people probably miss those books that were written some time ago – the big book that was written with care.”

Annie Proulx (1935) American novelist, short story and non-fiction author

On her novel Barkskin in “Annie Proulx: ‘I’ve had a life. I see how slippery things can be’” https://www.theguardian.com/books/2016/jun/05/annie-proulx-ive-had-a-life-i-see-how-slippery-things-can-be in The Guardian (2016 Jun 5) <br class="br">Personal life and writing career

“Censors never go after books unless kids already like them. I don’t even think they know to go after books until they know that children are interested in reading this book, therefore there must be something in it that’s wrong.”

Judy Blume (1938) American children's writer

“Funny scene, likesay, how aw the psychos seem tae ken each other, ken what ah means, likes?”

Irvine Welsh book Trainspotting

Spud, "Kicking Again: Na Na and Other Nazis" (Chapter 3, Story 2).
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“The simplest way to make sure that we raise literate children is to teach them to read, and to show them that reading is a pleasurable activity. And that means, at its simplest, finding books that they enjoy, giving them access to those books, and letting them read them. I don't think there is such a thing as a bad book for children.Every now and again it becomes fashionable among some adults to point at a subset of children's books, a genre, perhaps, or an author, and to declare them bad books, books that children should be stopped from reading…It's tosh. It's snobbery and it's foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different. They can find the stories they need to, and they bring themselves to stories. A hackneyed, worn-out idea isn't hackneyed and worn out to them. This is the first time the child has encountered it. Do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is a route to other books you may prefer. And not everyone has the same taste as you.Well-meaning adults can easily destroy a child's love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian "improving" literature. You'll wind up with a generation convinced that reading is uncool and worse, unpleasant.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

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