“The critic has a purpose, but I don’t see my writing as trying to judge a work, trying to communicate its good or bad points to a reader. To me, my hope is that this dossier may open-up new areas of cinema for readers, and point at new avenues for investigation, which is all I would hope for. If it merely defined any emergent orthodoxy-of-extreme-cinema I would feel it had failed.”

— Jack Sargeant (writer)

"American Extreme" in Senses of Cinema http://sensesofcinema.com/2016/american-extreme/introduction-american-extreme/?fbclid=IwAR3RDbEMlJKfP_tUFAOt3apUoZ99oioJ5kFwJfPO3wBnu1PGC0Xmtpnf9pY (2016)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The critic has a purpose, but I don’t see my writing as trying to judge a work, trying to communicate its good or bad p…" by Jack Sargeant (writer)?

Jack Sargeant (writer) 2

British writer, performer and curator. 1968

Related quotes

“It is very hard to write this way, beginning things backward, and the author hopes the reader will realize this and not grudge this little word of explanation. I know I would be very glad to read anything the reader ever wrote, and I hope the reader will make the same sort of allowances. If any of the readers would care to send me anything they ever wrote, for criticism or advice, I am always at the Café du Dôme any afternoon, talking about Art with Harold Stearns and Sinclair Lewis, and the reader can bring his stuff along with him, or he can send it to me care of my bank, if I have a bank.”

Ernest Hemingway book The Torrents of Spring

Part 2, Ch. 5
Harold Stearns was a once-well-known New York writer and intellectual whom Hemingway knew when they were both living in Paris.
The Torrents of Spring (1926)

“My first job was in a movie theater. I worked at Cinema 6 in New City, New York. I was an usher. I sold popcorn.”

Sebastian Stan (1982) Romanian-American actor

Quote

“The new readers have mentality, fashions, feelings completely different from those of previous readers. Should I draw comics following my first readers in their growth? Or should I stop doing the cartoonist? … More or less every three years a cartoonist for children is cornered. I, too, every three years, living a crisis. So I decide and I get back to work for my new readers as if they were the first. … This is why I am certain that the good work that will draw able to make happy readers of all time.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

From My Diary manga , 1966; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 3, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 26. ISBN 8888063102

“I live cinema. I chose the cinema when I was very young, sixteen years old, and from then on my memories virtually coincide with the history of the cinema … I'm not a director with a personal style, I am simply cinema. I have grown up with and through cinema; everything that I've had in the way of education has been through the cinema; insofar as I'm interested in images, in books, in music, it's all due to the cinema.”

Michael Powell (1905–1990) English film director

Midi-Minuit Fantastique, Oct. 1968

“I try to write to the story, as opposed to writing for the reader…”

Mariko Tamaki (1975) Canadian writer and artist

On writing characters in “We Read To Challenge Ourselves: An Interview With Mariko Tamaki” https://comicsalliance.com/mariko-tamaki-pride-week-interview/ in Comics Alliance (2016 Jun 24)

“My most important piece of advice to all you would-be writers: When you write, try to leave out all the parts readers skip.”

Elmore Leonard (1925–2013) American novelist and screenwriter

Source: Elmore Leonard's 10 Rules of Writing

“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic

Quoted in: Richard Roud, Godard, introduction (1970).

“At some point in my life I'd honestly hoped love would rescue me from the cold, drafty castle I lived in. But at another point, much earlier I think, I'd quietly begun to hope for nothing at all in the way of love, so as not to be disappointed. It works. It gets to be a habit.”

Barbara Kingsolver Animal Dreams

Codi Noline, Animal Dreams.
Animal Dreams (1990)

“I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.”

Edwin Abbott Abbott book Flatland

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.

“What I try to do with my images is just give the reader a real feel for a place…It's very visceral. You open the page, and you are right there in the moment.”

Joe Sacco (1960) Maltese-American cartoonist and journalist; pioneer of the Non-Fiction Graphic Novel (b. 1960)

On what he aimed for with his book The Great War in “A Panorama Of Devastation: Drawing Of WWI Battle Spans 24 Feet” https://www.npr.org/2013/11/10/243068448/a-panorama-of-devastation-drawing-of-wwi-battle-spans-24-feet in NPR (2013 Nov 10)

Help us to complete the source, original and additional information

Jack Sargeant (writer) 2

Related quotes

Related topics