“Whenever you write a record you run the risk of your ideas not appealing to certain sections of society, but there’s something about the energy we have that people get into and that’s never changed. There’s a lot more to punk rock than just a catchy song, it’s a deeper thing about community and connection - and I think we’re still part of that.”

Last update June 3, 2021. History

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American singer and guitarist 1972

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“It doesn’t matter if radio thinks it’s a dying genre, or if there are people who thinks it sounds like ‘this or this or that’. If you write a good song, and it’s pop-punk, people will like it; because pop-punk doesn’t really mean a whole lot: it just means that it’s got that pop catchiness to it, but it’s got that punk energy and speed, and stuff that makes you want to jump up and down or drive a car real fast; and that’s something that will never get old.”

Pierre Bouvier (1979) Canadian musician

Simple Plan: The 13th Floor Interview https://www.13thfloor.co.nz/simple-plan-the-13th-floor-interview/ (February 7, 2018)

“I think whenever you write something you want people to like it. The best way to do that, usually, is to write what you think is good. That’s basically what everyone tries to do… just to write what they think is good. Part of that is staying true to the characters and the world (which makes it a kids show by it’s design)… and part of that is introducing deeper concepts that we, as writers, are curious about exploring”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

which makes it more interesting for adults <br class="br"> Interview with Pat McHale (Adventure Time, Over the Garden Wall writer) https://crackplot.com/2015/06/13/interview-with-pat-mchale-adventure-time-over-the-garden-wall-writer/ (June 13, 2015)

“I haven't found it difficult because I find this very enjoyable. It's really challenging. And I'm really proud of the record because it's a really good record. There's nothing harder than to write a pop record with meaning. I think it's much easier to be alternative. It's much easier to be different and take a different path outside of a commercial context. To try and write a pop song that is not cliché, to try and write a pop song that has meaning and fits in under three minutes and five seconds and has a hook that people want to listen to is the most difficult thing in the world to do. So in lieu of that you have to write what you know and what you like, what you're feeling. That's all I can basically do. I don't begrudge the other people that don't write their songs. And I don't judge them. I'd like to see more people writing their own songs, because that's just personally what I like. Just for me, as an artist, so many people only care about being popular right now. Whatever happened to trying to write a song that means something? When I was growing up, artists meant something. They had opinions, they looked different than the person working at the store on your street. They opened your eyes and taught you something about life. And I would like to aspire to be that kind of artist.”

Colleen Fitzpatrick (1972) American singer and actress

When asked about writing her own music
Attributed

“The first thing you have to know about writing is that it is something you must do everyday. There are two reasons for this rule: Getting the work done and connecting with your unconscious mind.”

Walter Mosley (1952) American writer

“If you don’t have any fresh ideas, then you use stale tactics to scare the voters. If you don’t have a record to run on, then you paint your opponent as someone people should run from. You make a big election about small things.”

Barack Obama (1961) 44th President of the United States of America

Democratic National Convention Nomination Acceptance Speech (29 August 2008) https://www.youtube.com/watch?v=nmEI9Doctqs <br class="br">2008

“Works that have a certain imperfection to them have an appeal for that you're attracted to Soseki's The Miner. There's something in it that draws you in, more than more fully realized novels like Kokoro or Sanshiro. You discover something about that work that tugs at your heart-or maybe we should say that work discovers you.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 13, Schubert

“So, first of all, you’ve got to try to get people involved. And a lot of people are busy in their own lives or they don’t think it’s going to make a difference or they’re scared if they’re speaking out against authority. And many of the problems that we’re facing, like trying to create jobs or better opportunity or dealing with poverty or dealing with the environment, these are problems that have been going on for decades. And so, to think that somehow you’re going to change it in a day or a week, and then if it doesn’t happen you just give up, well, then you definitely won’t succeed. So the most important thing that I learned as a young person trying to bring about change is you have to be persistent, and you have to get more people involved, and you have to form relationships with different groups and different organizations. And you have to listen to people about what they’re feeling and what they’re concerned about, and build trust. And then, you have to try to find a small part of the problem and get success on that first, so that maybe from there you can start something else and make it bigger and make it bigger, until over time you are really making a difference in your community and in that problem. But you can’t be impatient. And the great thing about young people is they’re impatient. The biggest problem with young people is they’re impatient. It’s a strength, because it’s what makes you want to change things. But sometimes, you can be disappointed if change doesn’t happen right away and then you just give up. And you just have to stay with it and learn from your failures, as well as your successes.”

Barack Obama (1961) 44th President of the United States of America

2014, Young Southeast Asian Leaders Initiative Town Hall (April 2014)

“Writing songs has a lot to do with your sexuality. I danced for awhile and just being around that made me realize what people use. And if you grow up blessed with a certain beauty or a certain intelligence that enhances your beauty, you can get into a better position in life.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On songwriting and beauty, The Guardian https://www.newspapers.com/clip/22821312/the_guardian/ (December 11, 1991) <br class="br">1991–1995

“But the thing about getting rejected is that you reflect and think and analyze about why you got turned down. You learn a lot more from stories about getting rejected than stories about becoming happy.”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Anime Diet http://animediet.net/conventions/the-garden-of-thoughts-an-interview-with-makoto-shinkai <br class="br">About The Garden of Words

“The thing about writing in America—and I just recently understood this—is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it’s the wrong thing. It’s not a profession. A professional writer is a joke. You write because you can’t do anything else, and then you have another job. I’m always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something. If you just sit there, and you’re a writer, you’re bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals. Writing is not a profession. It’s a calling. It’s almost holy…”

Jamaica Kincaid (1949) Antiguan-American novelist, essayist, gardener, and gardening writer

On her views of writing in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)

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