
Source: Sustainable History and the Dignity of Man (2009), p.109
The Age of Insight (2012)
Context: I outline in simple terms... our current understanding of the cognitive psychological and neurobiological basis of perception, memory, emotion, empathy, and creativity.... the principles of the viewer's response to art are applicable to all periods of painting.
Source: Sustainable History and the Dignity of Man (2009), p.109
John Sweller, "Evolutionary bases of human cognitive architecture: implications for computing education." Proceedings of the fourth international workshop on computing education research. ACM, 2008.
Direct Art Magazine, "In Memoriam - Eugene James Martin", Fall-Winter 2006,Vol. 13, p. 86, http://www.saatchi-gallery.co.uk/yourgallery/artist/details.php?id=791 and http://afonline.artistsspace.org/view_artist.php?aid=3883
" The Hedonistic Imperative: Heaven on Earth https://www.paradise-engineering.com/heav2.htm", BLTC Research
Nobel lecture (1981)
Context: Cognitive introspective psychology and related cognitive science can no longer be ignored experimentally, or written off as "a science of epiphenomena", nor either as something that must, in principle, reduce eventually to neurophysiology. The events of inner experience, as emergent properties of brain processes, become themselves explanatory causal constructs in their own right, interacting at their own level with their own laws and dynamics. The whole world of inner experience (the world of the humanities) long rejected by 20th century scientific materialism, thus becomes recognized and included within the domain of science.
Original Philosophy of Hypnotism The International College of Hypnosis & Hypnotherapy
Source: Art As a Social System (2000), p. 5 as cited by Andrew E. McNamara (2010) "Visual acuity is not what it seems : on Ian Burn's 'Late' reflections". In: Ann Stephen (Ed.) Mirror Mirror http://sydney.edu.au/museums/pdfs/Art_Gallery/mirror_mirror_catalogue.pdf.