Source: The Cream of the Jest (1917), Ch. 26 : "Epper Si Muove"
Context: To-day alone was real. Never was man brought into contact with reality save through the evanescent emotions and sensations of that single moment, that infinitesimal fraction of a second, which was passing now — and it was in the insignificance of this moment, precisely, that religious persons must believe. So ran the teachings of all dead and lingering faiths alike. Here was, perhaps, only another instance of mankind's abhorrence of actualities; and man's quaint dislike of facing reality was here disguised as a high moral principle. That was why all art, which strove to make the sensations of a moment soul-satisfying, was dimly felt to be irreligious. For art performed what religion only promised.
Original works of Rabindranath Vol. 24 page 375, Vishwa Bharti; 1982.
“The foundation of irreligious criticism is: Man makes religion, religion does not make man.”
Contribution to the Critique of Hegel's Philosophy of Right (1843)
Small Houses: Their Economic Design and Construction (1922)
Context: Why can there not be a new art founded on the only principle which can produce great art—the principle that art is the interpretation or extraction of the essence of beauty in nature, and all else is secondary?<!-- Introduction
L'art d'enseigner n'est que l'art d'éveiller la curiosité des jeunes âmes pour la satisfaire ensuite.
Pt. II, ch. 4
The Crime of Sylvestre Bonnard (1881)
Source: Death in the Afternoon (1932), Ch. 9
p 44
Wonderful, Wonderful Times (1990)
Quote of Denis, 1909: from Bouillon 2006, pp. 17-18; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [9]
1890 - 1920
Page 3 https://books.google.com/books?id=pQARAAAAIAAJ&pg=PA3.
Music: An Art and a Language (1920), Preliminary Considerations (Ch. I)
