(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."
“Art is naturally concerned with man in his existential aspect, not in his scientific aspect.”
Source: The Strength To Dream (1961), p. 214
Context: Art is naturally concerned with man in his existential aspect, not in his scientific aspect. For the scientist, questions about man's stature and significance, suffering and power, are not really scientific questions; consequently he is inclined to regard art as an inferior recreation. Unfortunately, the artist has come to accept the scientist's view of himself. The result, I contend, is that art in the twentieth century — literary art in particular — has ceased to take itself seriously as the primary instrument of existential philosophy. It has ceased to regard itself as an instrument for probing questions of human significance. Art is the science of human destiny. Science is the attempt to discern the order that underlies the chaos of nature; art is the attempt to discern the order that underlies the chaos of man. At its best, it evokes unifying emotions; it makes the reader see the world momentarily as a unity.
Help us to complete the source, original and additional information
Colin Wilson 192
author 1931–2013Related quotes

Introduction, p. xviii
"Quotes", The Great Code: The Bible and Literature (1982)

“His whole aspect was that of a man who has unexpectedly been struck by lightning.”
Eggs, Beans and Crumpets (1940)
Source: 1960s, "The Use and Misuse of Game Theory," 1962, p. 110

Source: Christ's Object Lessons (1900), Ch. 1, p. 19
Context: Not only the things of nature, but the sacrificial service and the Scriptures themselves — all given to reveal God — were so perverted that they became the means of concealing Him.
Christ sought to remove that which obscured the truth. The veil that sin has cast over the face of nature, He came to draw aside, bringing to view the spiritual glory that all things were created to reflect. His words placed the teachings of nature as well as of the Bible in a new aspect, and made them a new revelation.

“Death is the looking-glass of life wherein
Each man may scan the aspect of his deeds.”
Source: Savonarola (1881), Girolamo Savonarola in Act I, sc. iv; p. 49.
Interview in The Vegetarians by Rynn Berry (Autumn Press, 1979), p. 123.