
Chapter 3, story 28 http://books.google.com/books?id=LDpbAAAAQAAJ&q=%22use+a+sweet+tongue+courtesy+and+gentleness+and+thou+mayst+manage+to+guide+an+elephant+with+a+hair%22&pg=PA292#v=onepage
Gulistan (1258)
Last lines
All Men are Mortal (1946)
Context: In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death. And it's only the beginning, she thought. She stood motionless, as if it were possible to play tricks with time, possible to stop it from following its course. But her hands stiffened against her quivering lips.
When the bells began to sound the hour she let out the first scream.
Chapter 3, story 28 http://books.google.com/books?id=LDpbAAAAQAAJ&q=%22use+a+sweet+tongue+courtesy+and+gentleness+and+thou+mayst+manage+to+guide+an+elephant+with+a+hair%22&pg=PA292#v=onepage
Gulistan (1258)
Great English Short Stories (1957), selected and introduced by Isherwood, p. 267 <!-- [Laurel TM 674623] -->
Context: Horror is always aware of its cause; terror never is. That is precisely what makes terror terrifying.
Black God's Kiss (1934); p. 23
Short fiction, Jirel of Joiry (1969)
“Desire can attain the darkest human terror and give an actual ideal of hell and its horror.”
“Death was now armed with a new terror.”
Reported in Bartlett's Familiar Quotations, 10th ed. (1919). Brougham delivered a very warm panegyric upon the ex-Chancellor, and expressed a hope that he would make a good end, although to an expiring Chancellor death was now armed with a new terror. Thomas Campbell, Lives of the Chancellors, vol. vii. p. 163. Lord St. Leonards attributes this phrase to Sir Charles Wetherell, who used it on the occasion referred to by Lord Campbell. It likely originates with the practice of Edmund Curll, who issued miserable catch-penny lives of every eminent person immediately after that person's decease. John Arbuthnot wittily styled him "one of the new terrors of death", Carruthers, Life of Pope (second edition), p. 149.