"Quotes", The "Third Book" Notebooks of Northrop Frye, 1964–1972 (2002)
Context: The objective world is only “material”: it’s there, but it could be there in a great many different forms and aspects... Even here there [are] still possibilities: it can’t be just anything. But perhaps extracting a finite schema from the variety of mythologies, literatures, or religions might contribute something to the understanding of what some of these possibilities could be. The individual can’t create his own world, except in art or fantasy: society can only create a myth of concern. What fun if one could get just a peep at what some of the other worlds are that a new humanity could create–no, live in. (p. 287-8)
Source: Longing for the Harmonies: Themes and Variations from Modern Physics (1987), Ch.8 The Weak Interaction
Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 3: Angels and Demigods, p. 47
The First Sex, ch.1 - Woman and the Second Sex (1971).
after 1920, The Epic, From immobile form to mobile form (1925)
"The Brooklyn Divines." Brooklyn Union (Brooklyn, NY), 1883.
Context: There was a time when an unbeliever, open and pronounced, was a wonder. At that time the church had great power; it could retaliate; it could destroy. The church abandoned the stake only when too many men objected to being burned.
Modern Buddhism: The Path of Compassion and Wisdom (2011)
1920s, The Genius of America (1924)
A Theory of Roughness (2004)
Context: How could it be that the same technique applies to the Internet, the weather and the stock market? Why, without particularly trying, am I touching so many different aspects of many different things?
A recent, important turn in my life occurred when I realized that something that I have long been stating in footnotes should be put on the marquee. I have engaged myself, without realizing it, in undertaking a theory of roughness. Think of color, pitch, heaviness, and hotness. Each is the topic of a branch of physics. Chemistry is filled with acids, sugars, and alcohols; all are concepts derived from sensory perceptions. Roughness is just as important as all those other raw sensations, but was not studied for its own sake. … I was not particularly precocious, but I'm particularly long-lived and continue to evolve even today. Above a multitude of specialized considerations, I see the bulk of my work as having been directed towards a single overarching goal: to develop a rigorous analysis for roughness. At long last, this theme has given powerful cohesion to my life … my fate has been that what I undertook was fully understood only after the fact, very late in my life.
