1970s
Context: Ever since the secret trip to China, my own relationship with Nixon had grown complicated. Until then I had been an essentially anonymous White House assistant. But now his associates were unhappy, and not without reason, that some journalists were giving me perhaps excessive credit for the more appealing aspects of our foreign policy while blaming Nixon for the unpopular moves.
These tendencies were given impetus by an interview I granted to the Italian journalist Oriana Fallaci, without doubt the single most disastrous conversation I ever had with any member of the press. I saw her briefly on Nov. 2 and 4, 1972, in my office. I did so largely out of vanity. She had interviewed leading personalities all over the world. Fame was sufficiently novel for me to be flattered by the company I would be keeping. I had not bothered to read her writings; her evisceration of other victims was thus unknown to me.
As quoted in "Special Section: Chagrined Cowboy" in TIME magazine (8 October 1979) http://www.time.com/time/magazine/article/0,9171,916877,00.html
Interview in Writers at Work: The Paris Review Interviews (1988)
A Conversation With Jim Butcher, The SF Site, McCune, Alisa, 2004, 2008-02-04 http://www.sfsite.com/08b/jb182.htm,
Personal inscription on a copy of Mother Goose in Prose (1897) which he gave to his sister, Mary Louise Baum Brewster, as quoted in The Making of the Wizard of Oz (1998) by Aljean Harmetz, p. 317
Letters and essays
Context: When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. For aside from my evident inability to do anything "great," I have learned to regard fame as a will-o-the-wisp which, when caught, is not worth the possession; but to please a child is a sweet and lovely thing that warms one's heart and brings its own reward.
Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Raise High the Roof Beam, Carpenters (1955)
From a speech given at the White Shrine Club, Fresno, California, quoted in The Event Makers I’ve Known (2012) by Elvin C. Bell, p. 161. She is described as being in her late 70s, so c. 1960–1962
