“Symbols can be so beautiful, sometimes.”

“Do you think I'm pretty?
I think you're beautiful
Beautiful?
You are so beautiful, it hurts sometimes.”

“In a world of disorder and disaster and fraud, sometimes only beauty can be trusted.”

“Beauty lay not in the thing, but in what the thing symbolized.”

“Sometimes the beauty is easy.
Sometimes you don't have to try at all.
Sometimes you can hear the wind blow in a handshake.
Sometimes there's poetry written right on the bathroom wall.”

“Lacan conceives the difference between the two deaths as the difference being real (biological) death and its symbolization, the settling of accounts the accomplishment of symbolic destiny (deathbed confession in Catholicism, for example). This gap can be filled in various ways; it can contain either sublime beauty or fearsome monsters: in Antigone's case, her symbolic death, her exclusion from the symbolic community of the city, precedes her actual death and imbues her character with sublime beauty, whereas the ghost of Hamlet's father represents the opposite case, - actual death unaccompanied by symbolic death, without a settling of accounts - which is why he returns as a frightful apparition until his debt has been repaid. This place between the two deaths, a place of sublime beauty as well as terrifying monsters, is the site of das Ding, of the real-traumatic Kernel in the midst of symbolic order.”

“It was a beautiful afternoon; one to make you realise that God really can be very good sometimes with weather and scenery.”

“In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real.”

“ There is […] no necessary connection between the symbol and that which is symbolized. Just as men can wear yachting costumes without ever having been near a yacht, so they can make the noise "I'm hungry" without being hungry. Furthermore, just as social rank can be symbolized by feathers in the hair, by tattooing on the breast, by gold ornaments on the watch chain, or by a thousand different devices according to the culture we live in, so the fact of being hungry can be symbolized by a thousand different noises according to the culture we live in: "J'ai faim," or "Es hungert mich," or "Ho appetito," or "Hara ga hetta," and so on.”

“The blush is beautiful, but it is sometimes inconvenient.”