Japan, the Beautiful and Myself (1969)
Context: Myōe exchanged poems with Saigyo and the two discussed poetry together. The following is from the biography of Myoe by his disciple Kikai: "Saigyo frequently came and talked of poetry. His own attitude towards poetry, he said, was far from the ordinary. Cherry blossoms, the cuckoo, the moon, snow: confronted with all the manifold forms of nature, his eyes and his ears were filled with emptiness. And were not all the words that came forth true words? When he sang of the blossoms the blossoms were not on his mind, when he sang of the moon he did not think of the moon. As the occasion presented itself, as the urge arose, he wrote poetry. The red rainbow across the sky was as the sky taking on color. The white sunlight was as the sky growing bright. Yet the empty sky, by its nature, was not something to become bright. It was not something to take on color. With a spirit like the empty sky he gives color to all the manifold scenes but not a trace remained. In such poetry was the Buddha, the manifestation of the ultimate truth."
Here we have the emptiness, the nothingness, of the Orient. My own works have been described as works of emptiness, but it is not to be taken for the nihilism of the West. The spiritual foundation would seem to be quite different. Dogen entitled his poem about the seasons, "Innate Reality", and even as he sang of the beauty of the seasons he was deeply immersed in Zen.
As quoted in Marilyn Monroe : In Her Own Words (1983), edited by Roger Taylor
unicef.org http://www.unicef.org/ceecis/reallives_4443.html
Source: 1930 - 1941, from 'Arshile Gorky, – Goats on the roof' (2009), p. 125: Gorky's quote, in a letter to his sister Vartush Mooradian, 28 February 1938
Source: Love and Will (1969), Ch. 1 : Introduction : Our Schizoid World, p. 32
Context: The constructive schizoid person stands against the spiritual emptiness of encroaching technology and does not let himself be emptied by it. He lives and works with the machine without becoming a machine. He finds it necessary to remain detached enough to get meaning from the experience, but in doing so, to protect his own inner life from impoverishment.
Indian contemporary artists have not reached my standard: SH Raza
“These thoughts form not only the foundation of my work, but of my life.”
1970's
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p. 153
Alan Macfarlane https://en.wikipedia.org/wiki/Alan_Macfarlane|, Professor Emeritus of King's College, Cambridge https://en.wikipedia.org/wiki/King%27s_College,_Cambridge.
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