
Source: 1930s, On my Painting (1938), pp. 12-13
Source: Terre des Hommes (1939), Ch. I : The Craft
Context: "Navigating by the compass in a sea of clouds over Spain is all very well, it is very dashing, but—"
And I was struck by the graphic image:
"But you want to remember that below the sea of clouds lies eternity."
And suddenly that tranquil cloud-world, that world so harmless and simple that one sees below on rising out of the clouds, took on in my eyes a new quality. That peaceful world became a pitfall. I imagined the immense white pitfall spread beneath me. Below it reigned not what one might think — not the agitation of men, not the living tumult and bustle of cities, but a silence even more absolute than in the clouds, a peace even more final. This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft. Mountaineers too know the sea of clouds, yet it does not seem to them the fabulous curtain it is to me.
Source: 1930s, On my Painting (1938), pp. 12-13
The Discipline Of Transcendence (1978)
“From the beginning, this culture - civilization - has been a culture of occupation.”
Vol. 1, pg. XI
Endgame (2006)
As prime minister, Warrenton, 24 July 1982, as cited in PW Botha in his own words, Pieter-Dirk Uys, 1987, p. 23
§ I
1910s, At the Feet of the Master (1911)
Context: The first of these Qualifications is Discrimination; and this is usually taken as the discrimination between the real and the unreal which leads men to enter the Path. It is this, but it is also much more; and it is to be practised, not only at the beginning of the Path, but at every step of it every day until the end. You enter the Path because you have learnt that on it alone can be found those things which are worth gaining. Men who do not know, work to gain wealth and power, but these are at most for one life only, and therefore unreal. There are greater things than these — things which are real and lasting; when you have once seen these, you desire those others no more.
“Commerce and Culture,” p. 281.
Giants and Dwarfs (1990)
"Naked Mirco Bergamasco Takes Flight in Racy New PETA Ad" https://www.youtube.com/watch?v=csLPQ1YxQic, video interview with PETA (18 July 2017).
1943, at his sons' confirmation at Potsdam Garrison Church. Michael Balfour, <i>Withstanding Hitler</i>, 1988, p. 130.
The Aquarian Conspiracy (1980), Chapter Two, Premonitions of Transformation and Conspiracy