“What I am searching for… is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form.”

—  Herbert Read

The Origins of Art (1966)
Other Quotes
Context: What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestations—which is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "What I am searching for… is some formula that would combine individual initiative with universal values, and that combi…" by Herbert Read?
Herbert Read photo
Herbert Read 42
English anarchist, poet, and critic of literature and art 1893–1968

Related quotes

Robert Chambers (publisher, born 1802) photo

“Analogy would lead us to conclude that the combinations of the primordial matter, forming our so-called elements, are as universal or as liable to take place everywhere as are the laws of gravitation and centrifugal force.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 28
Context: Analogy would lead us to conclude that the combinations of the primordial matter, forming our so-called elements, are as universal or as liable to take place everywhere as are the laws of gravitation and centrifugal force. We must therefore presume that the gases, the metals, the earths, and other simple substances, (besides whatever more of which we have no acquaintance,) exist or are liable to come into existence under proper conditions, as well in the astral system, which is thirty five thousand times more distant than Sirius, as within the bounds of our own solar system or our own globe.

Vince Lombardi photo

“The achievements of an organization are the results of the combined effort of each individual.”

Vince Lombardi (1913–1970) American football player, coach, and executive
Hermann Hesse photo

“Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)
Context: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

Doris Lessing photo

“Words. Words. I play with words, hoping that some combination, even a chance combination, will say what I want.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

“True and false individualism differ, according to Hayek, not primarily about values but about facts. The question of how societies are actually ordered or organized separates them: Are communities created, or do they evolve? The answer is obviously some combination of the two, but the relative weighting is of the greatest importance.”

Alan O. Ebenstein (1959) American political scientist, educator and author

Hayek's Journey: The Mind of Friedrich Hayek (2003)

Margaret Fuller photo

“I am absurdly fearful, and various omens have combined to give me a dark feeling.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Letter (Spring 1850)
I am absurdly fearful about this voyage. Various little omens have combined to give me a dark feeling.... Perhaps we shall live to laugh at these. But in case of mishap I should perish with my husband and child, perhaps to be transferred to some happier state.
Letter to Marchioness Visconti Arconati (6 April 1850) as quoted in Margaret Fuller Ossoli by Thomas Wentworth Higginson, p. 274, the differences could be from differing translations or from omissions, as Emerson is said to have highly edited many of the letters as published in Memoirs of Margaret Fuller Ossoli.
Memoirs of Margaret Fuller Ossoli (1852)
Context: I am absurdly fearful, and various omens have combined to give me a dark feeling. I am become indeed a miserable coward, for the sake of Angelino. I fear heat and cold, fear the voyage, fear biting poverty. I hope I shall not be forced to be as brave for him, as I have been for myself, and that, if I succeed to rear him, he will be neither a weak nor a bad man. But I love him too much! In case of mishap, however, I shall perish with my husband and my child, and we may be transferred to some happier state.

Fortunato Depero photo

“We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration,”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

The Futurist Reconstruction of the Universe http://www.italianfuturism.org/manifestos/futurist-reconstruction-of-the-universe/ Manifesto with Giacomo Balla, in: Direzione del Movimento Futurista, March 11, 1915. Translation by Caroline Tisdall, 1973.
Context: We Futurists, Balla and Depero, seek to realize this total fusion in order to reconstruct the universe by making it more joyful, in other words by an integral re-creation. 'We will give skeleton and flesh to the invisible, the impalpable, the imponderable and the imperceptible. We will find abstract equivalents for all the forms and elements of the universe, and then well will combine them according to the caprice of our inspiration, to shape plastic complexes which we will set in motion.

Vera Stanley Alder photo

“Can we grasp that the only requirement in order that this may be so is organization, a combined world organization founded upon the spiritual principle of sharing and cooperation; and that this would change the world from the state it is now in to a comparative Heaven?”

Vera Stanley Alder (1898–1984) British artist

Source: Humanity Comes of Age, A study of Individual and World Fulfillment (1950), Chapter II Planning a Model World

Jimmy Carter photo

“When combined, the small individual contributors of caring, friendship, forgiveness, and love, each of us different from our next-door neighbors, can form a phalanx, an army, with great capability.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

Page 186
Post-Presidency, Our Endangered Values (2005)

“The term organization, and the principles that govern it, are inherent in every form of concerted human effort, even where there are no more than two people involved. For example take two men who combine their efforts to lift and move a stone that is too heavy to be moved by one. In the fact of this combination of effort we have the reality of human organization for a given purpose. Likewise in the procedure necessary to this end we find the fundamental principles of organization. To begin with, the two lifters must lift in unison. Without this combination of effort the result would be futile. Here we have co-ordination, the first principle of organization. Likewise one of these two must give the signal "heave ho!" or its equivalent, to the other, thus illustrating the principle of leadership or command. Again the other may have a suggestion to make to the leader in the matter of procedure, which involves the vital staff principle of advice or counsel. And so on. Thus in every form of concerted effort principles of organization are as essential and inevitable as organization itself.”

James D. Mooney (1884–1957) American businessman

Source: "The principles of organization", 1937, p. 90

Related topics