Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense
“This is why we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies.”
Source: 1910's, The Art of Noise', 1913, p. 6
Context: Each sound carries with it a nucleus of foreknown and foregone sensations predisposing the auditor to boredom, in spite of all the efforts of innovating composers. All of us have liked and enjoyed the harmonies of the great masters. For years, Beethoven and Wagner have deliciously shaken our hearts. Now we are fed up with them. This is why we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies.
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Luigi Russolo 11
Electronic music pioneer and Futurist painter 1885–1947Related quotes
Cited (earlier) in: American Women Composers (1979) AWC news. Volumes 2-3. p. 41
Beauty is Revolution (1980)

This Business of Living (1935-1950)
“4. You hear his voice in a crowd more than any other.”
Source: Ouran High School Host Club, Vol. 13
“Why do we have such a finite capacity for pleasure but an infinite one for pain?”
Source: The Other Side of the Story
Source: The Secret Diary of Adrian Mole, Aged 13 3/4

Letter to The Times (23 July 1956), p. 9
1950s