“In fluxus there has never been any attempt to agree on aims or methods; individuals with something unnameable in common have simply naturally coalesced to publish and perform their work.”

Indian contemporary artists have not reached my standard: SH Raza

Chap. VI: The Dissection Of The Mass-Man Begins
The Revolt of the Masses (1929)
Context: Even to-day, in spite of some signs which are making a tiny breach in that sturdy faith, even to-day, there are few men who doubt that motorcars will in five years' time be more comfortable and cheaper than to-day. They believe in this as they believe that the sun will rise in the morning. The metaphor is an exact one. For, in fact, the common man, finding himself in a world so excellent, technically and socially, believes that it has been produced by nature, and never thinks of the personal efforts of highly-endowed individuals which the creation of this new world presupposed. Still less will he admit the notion that all these facilities still require the support of certain difficult human virtues, the least failure of which would cause the rapid disappearance of the whole magnificent edifice.… These traits together make up the well-known psychology of the spoilt child.

Source: A Mother's Advice to Her Son, 1726, p. 137

"Edmund Burke, Anarchist" http://archive.lewrockwell.com/rothbard/rothbard11.html, first published as "A Note on Burke’s Vindication of Natural Society" in the Journal of the History of Ideas, 19, 1 (January 1958), p. 114.
Context: In 1756 Edmund Burke published his first work: Vindication of Natural Society. Curiously enough it has been almost completely ignored in the current Burke revival. This work contrasts sharply with Burke’s other writings, for it is hardly in keeping with the current image of the Father of the New Conservatism. A less conservative work could hardly be imagined; in fact, Burke’s Vindication was perhaps the first modern expression of rationalistic and individualistic anarchism. … "Anarchism" is an extreme term, but no other can adequately describe Burke’s thesis. Again and again, he emphatically denounces any and all government, and not just specific forms of government. … All government, Burke adds, is founded on one "grand error." It was observed that men sometimes commit violence against one another, and that it is therefore necessary to guard against such violence. As a result, men appoint governors among them. But who is to defend the people against the governors? … The anarchism of Burke’s Vindication is negative, rather than positive. It consists of an attack on the State rather than a positive blueprint of the type of society which Burke would regard as ideal. Consequently, both the communist and the individualist wings of anarchism have drawn sustenance from this work.

Source: Brecht on Theatre: The Development of an Aesthetic

Nicomachus of Gerasa: Introduction to Arithmetic (1926)
Context: All that has by nature, with systematic method, been arranged in the universe, seems both in part and as a whole to have been determined and ordered in accordance with number, by the forethought and the mind of him that created all things; for the pattern was fixed, like a preliminary sketch, by the domination of number preëxistent in the mind of the world-creating God, number conceptual only and immaterial in every way, but at the same time the true and the eternal essence, so that with reference to it, as to an artistic plan, should be created all these things: time, motion, the heavens, the stars, all sorts of revolutions.<!--Book I, Chapter VI

1980s, First term of office (1981–1985), First Inaugural address (1981)
Context: If we look to the answer as to why for so many years we achieved so much, prospered as no other people on earth, it was because here in this land we unleashed the energy and individual genius of man to a greater extent than has ever been done before. Freedom and the dignity of the individual have been more available and assured here than in any other place on earth. The price for this freedom at times has been high, but we have never been unwilling to pay the price.

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 235