“So it's part vanity, it's part privacy and part sensitivity.”

— Bono

On his sunglasses; Imelda Marcos famously had a huge collection of shoes.
Rolling Stone interview (2005)
Context: I'm the Imelda Marcos of sunglasses.... Very sensitive eyes to light. If somebody takes my photograph, I will see the flash for the rest of the day. My right eye swells up. I've a blockage there, so that my eyes go red a lot. So it's part vanity, it's part privacy and part sensitivity.

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Bono 172

Irish rock musician, singer of U2 1960

John Twelve Hawks American writer

How We Live Now (2005)

“Every part of the system is so related to every other part that a change in a particular part causes a changes in all other parts and in the total system”

Arthur D. Hall (1925–2006) American electrical engineer

Cited in: Harold Chestnut (1967) Systems Engineering Methods. p. 121
A methodology for systems engineering, 1962

“It was good, and nothing good is truly lost. It stays part of a person, becomes part of their character. So part of you goes everywhere with me. And part of me is yours, forever”

Rosamunde Pilcher book The Shell Seekers

Source: The Shell Seekers

“As the analysis of a substantial composite terminates only in a part which is not a whole, that is, in a simple part, so synthesis terminates only in a whole which is not a part, that is, the world.”

Immanuel Kant (1724–1804) German philosopher

Kant's Inaugural Dissertation (1770), Section I On The Idea Of A World In General

“One part of a picture ought to be like the first part of a tune, that you guess what follows, and that makes the second part of the tune, and so I'm done..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, Feb. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 383 (Appendix A - Letter V)
1755 - 1769

“Even as a kid, I felt isolated. Isolation makes you sensitive. As a kid, I felt I was the only person who was like that. But there's a good side to isolation. It makes you sensitive, and sensitivity is part of the creative process.”

Jim Henson (1936–1990) American puppeteer

Interview with The Boston Globe (1989)

“Every meeting led to a parting, and so it would, as long as life was mortal. In every meeting there was some of the sorrow of parting, but in everything parting there was some of the joy of meeting as well.”

Cassandra Clare book Clockwork Princess

Source: Clockwork Princess

“Without this ridiculous vanity that takes the form of self-display and is part of everything and everyone, we would see nothing, and nothing would exist.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Sin esa tonta vanidad que es el mostrarnos y que es de todos y de todo, no veríamos nada y no existiría nada. [[]]
Voces (1943)

“Rejection is a part of my job. It has been a part of my career as a food person and a filmmaker. It was certainly part of my job as an actor, and even more part of a job as a model. So, it is something that I have to accept. It’s not for the faint of heart.”

Padma Lakshmi (1970) Indian-born American author, actress, model, television host and executive producer

Source: "Padma Lakshmi Understands That American Foodways Are Complicated" in Harper's Bazaar https://www.harpersbazaar.com/culture/travel-dining/a38254952/padma-lakshmi-taste-the-nation-interview/ (16 November 2021)

“As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go.”

Patrick Rothfuss (1973) American fantasy writer

On the progress of The Wise Man's Fear in "Concerning the Release of Book Two" (26 February 2009) http://blog.patrickrothfuss.com/2009/02/concerning-the-release-of-book-two/
Official site
Context: My book is different.
In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance.
So what *is* the structure then? Fuck if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy.
But if I fuck it up, I'll end up with a confusing tangled mess of a story.
Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff.
Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit.
It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.

“So it's part vanity, it's part privacy and part sensitivity.”

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Bono 172

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