
"Lear, Tolstoy and the Fool," Polemic (March 1947) - Full text online http://orwell.ru/library/essays/lear/english/e_ltf]
X magazine (1959-62)
Context: The Art of painting is itself an intensely personal activity. It may be labouring the obvious to say so but it is too little recognised in art journalism now that a picture is a unique and private event in the life of the painter: an object made alone with a man and a blank canvas... A real painting is something which happens to the painter once in a given minute; it is unique in that it will never happen again and in this sense is an impossible object. It is judged by the painter simply as a success or failure without qualification. And it is something which happens in life not in art: a picture which was merely the product of art would not be very interesting and could tell us nothing we were not already aware of. The old saying, “what you don’t know can’t hurt you”, expresses the opposite idea to that which animates the painter before his canvas. It is precisely what he does not know which may destroy him.
"Lear, Tolstoy and the Fool," Polemic (March 1947) - Full text online http://orwell.ru/library/essays/lear/english/e_ltf]
Quote from 'Max Ernst', exhibition catalogue, Galerie Stangl, Munich, 1967, U.S., pp.6-7, as cited in Edward Quinn, Max Ernst. 1984, Poligrafa, Barcelona. p. 12
1951 - 1976
Ritual and Mantras: Rules without Meaning, quoted in An Introduction to Hinduism https://www.google.com/books/edition/An_Introduction_to_Hinduism/KpIWhKnYmF0C?hl=en&gbpv=1&pg=PA12 by Gavin D. Flood, p. 12.
March 30, 1962, page 133.
Official Report of Proceedings of the Hong Kong Legislative Council
Source: On the Mystical Body of Christ, p.436
Source: 1940s, Economic Analysis, 1941, p. 42 as cited in: Vernon L. Smith (1991) Papers in Experimental Economics. p. 516
Riyadh-as-Saliheen by Imam Al-Nawawi, volume 4, hadith number 585
Sunni Hadith